Collection
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- Results per page : 20
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Nga. Mui: Rip Jat (15)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (15)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Nga. Mui: Rip Jat (2)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Nga. Mui: Rip Jat (14)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Nga. Mui: Rip Jat (19)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (19)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Nga. Mui: Rip Jat (7)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Nga. Mui: Rip Jat (1)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Nga. Mui: Rip Jat (8)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Nga. Mui: Rip Jat (10)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Nga. Mui: Rip Jat (20)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (20)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Nga. Mui: Rip Jat (18)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (18)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Nga. Mui: Rip Jat (3)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Nga. Mui: Rip Jat (17)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (17)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Nga. Mui: Rip Jat (16)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (16)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Kun: Bhaung Nywan. Jat (10)
- Creator
- Cin Tam Hcip Dhat Pra:
- Saddha Rum Aung Kyau Hkang Sa. Bhang A Hpai.
Kun: Bhaung Nywan. Jat (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Saddha Rum Aung Kyau Hkang Sa. Bhang A Hpai.
-
Kun: Bhaung Nywan. Jat (3)
- Creator
- Cin Tam Hcip Dhat Pra:
- Saddha Rum Aung Kyau Hkang Sa. Bhang A Hpai.
Kun: Bhaung Nywan. Jat (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Saddha Rum Aung Kyau Hkang Sa. Bhang A Hpai.
-
Kun: Bhaung Nywan. Jat (11)
- Creator
- Cin Tam Hcip Dhat Pra:
- Saddha Rum Aung Kyau Hkang Sa. Bhang A Hpai.
Kun: Bhaung Nywan. Jat (11)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Saddha Rum Aung Kyau Hkang Sa. Bhang A Hpai.
-
Kun: Bhaung Nywan. Jat (7)
- Creator
- Cin Tam Hcip Dhat Pra:
- Saddha Rum Aung Kyau Hkang Sa. Bhang A Hpai.
Kun: Bhaung Nywan. Jat (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Saddha Rum Aung Kyau Hkang Sa. Bhang A Hpai.
-
Kun: Bhaung Nywan. Jat (4)
- Creator
- Cin Tam Hcip Dhat Pra:
- Saddha Rum Aung Kyau Hkang Sa. Bhang A Hpai.
Kun: Bhaung Nywan. Jat (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Saddha Rum Aung Kyau Hkang Sa. Bhang A Hpai.
-
Kun: Bhaung Nywan. Jat (1)
- Creator
- Cin Tam Hcip Dhat Pra:
- Saddha Rum Aung Kyau Hkang Sa. Bhang A Hpai.
Kun: Bhaung Nywan. Jat (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Saddha Rum Aung Kyau Hkang Sa. Bhang A Hpai.
-
Kun: Bhaung Nywan. Jat (7)
- Creator
- Cin Tam Hcip Dhat Pra:
- Saddha Rum Aung Kyau Hkang Sa. Bhang A Hpai.
Kun: Bhaung Nywan. Jat (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Saddha Rum Aung Kyau Hkang Sa. Bhang A Hpai.
Showing 1-20 of 48 records.
Categories
Subject
- Burmese (Musical group)48
- Ethnomusicology--Asia.48
- Music--Asia--Discography.48
- Myanmar
- Southeast Asia