Collection

Your search returned 96 Results
Refined by : Audio Visual Collections Ka.ra.wik Tam Hcip
  • A Bhe Kri: Bhi: . . . (ca.)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung

    A Bhe Kri: Bhi: . . . (ca.)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
  • A Bhe Kri: Bhi: . . . (hcum:)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung

    A Bhe Kri: Bhi: . . . (hcum:)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
  • Gi Ta. Ru: (1)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:

    Gi Ta. Ru: (1)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:
  • Gi Ta. Ru: (2)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:

    Gi Ta. Ru: (2)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:
  • Gi Ta. Ru: (3)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:

    Gi Ta. Ru: (3)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:
  • Gi Ta. Ru: (4)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:

    Gi Ta. Ru: (4)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:
  • Gi Ta. Ru: (5)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:

    Gi Ta. Ru: (5)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:
  • Gi Ta. Ru: (6)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:

    Gi Ta. Ru: (6)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:
  • Gi Ta. Ru: (7)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:

    Gi Ta. Ru: (7)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:
  • Gi Ta. Ru: (8)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:

    Gi Ta. Ru: (8)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
    Rwhe Man: Tang Maung Jat A Pwai:
  • Lak Wai: Sunda.ra. (1)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung

    Lak Wai: Sunda.ra. (1)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
  • Lak Wai: Sunda.ra. (10)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung

    Lak Wai: Sunda.ra. (10)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
  • Lak Wai: Sunda.ra. (11)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung

    Lak Wai: Sunda.ra. (11)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
  • Lak Wai: Sunda.ra. (12)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung

    Lak Wai: Sunda.ra. (12)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
  • Lak Wai: Sunda.ra. (13)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung

    Lak Wai: Sunda.ra. (13)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
  • Lak Wai: Sunda.ra. (14)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung

    Lak Wai: Sunda.ra. (14)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
  • Lak Wai: Sunda.ra. (15)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung

    Lak Wai: Sunda.ra. (15)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
  • Lak Wai: Sunda.ra. (16)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung

    Lak Wai: Sunda.ra. (16)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
  • Lak Wai: Sunda.ra. (17)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung

    Lak Wai: Sunda.ra. (17)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung
  • Lak Wai: Sunda.ra. (18)
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung

    Lak Wai: Sunda.ra. (18)

    This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.
    Creator
    Ka.ra.wik Tam Hcip
    Alangka Kyau Ca Re Man: Tang Maung

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