Records
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Refined by : Audio Visual Collections Audio Visual Collections > Music of Burma On Locally Produced 78rpm Records ca. 1920-1962 Kui Lha. Mui: Myanmar Southeast Asia
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Hkyac Ce Ta. Na Rhang (hcum:)
- Creator
- Mui:
- Ae Wang: Tang Tang Lha.
- Kui Lha. Mui:
Hkyac Ce Ta. Na Rhang (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Mui:
- Ae Wang: Tang Tang Lha.
- Kui Lha. Mui:
-
Hkyac Ce Ta. Na Rhang (ca.)
- Creator
- Mui:
- Ae Wang: Tang Tang Lha.
- Kui Lha. Mui:
Hkyac Ce Ta. Na Rhang (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Mui:
- Ae Wang: Tang Tang Lha.
- Kui Lha. Mui:
-
Maung Kri: Lu Hkyau: (hcum:)
- Creator
- Pu. Lai: Dhat Pra: Htut Lup Re:
- Ae Wam: Tang Tang Lha.
- Kui Lha. Mui:
- Nywan. Le: U: Te:
Maung Kri: Lu Hkyau: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pu. Lai: Dhat Pra: Htut Lup Re:
- Ae Wam: Tang Tang Lha.
- Kui Lha. Mui:
- Nywan. Le: U: Te:
-
Tau: Rwa Sa Ya (ca.)
- Creator
- Pu. Lai: Dhat Pra: Htut Lup Re:
- A1 Tang Tang Lha.
- Kui Lha. Mui:
- Nywan. Le: U:
Tau: Rwa Sa Ya (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pu. Lai: Dhat Pra: Htut Lup Re:
- A1 Tang Tang Lha.
- Kui Lha. Mui:
- Nywan. Le: U:
-
Maung Kri: Lu Hkyau: (ca.)
- Creator
- Pu. Lai: Dhat Pra: Htut Lup Re:
- Ae Wam: Tang Tang Lha.
- Kui Lha. Mui:
- Nywan. Le: U: Te:
Maung Kri: Lu Hkyau: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pu. Lai: Dhat Pra: Htut Lup Re:
- Ae Wam: Tang Tang Lha.
- Kui Lha. Mui:
- Nywan. Le: U: Te:
-
Tan Pa. Maung Hpu Ra:
- Creator
- Pu. Lai: Dhat Pra: Htut Lup Re:
- Tap Krap Kri: Nywan. Hkang
- Kui Lha. Mui:
- Nywan. Le: U:
Tan Pa. Maung Hpu Ra:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pu. Lai: Dhat Pra: Htut Lup Re:
- Tap Krap Kri: Nywan. Hkang
- Kui Lha. Mui:
- Nywan. Le: U:
-
Tau: Rwa Sa Ya (hcum:)
- Creator
- Pu. Lai: Dhat Pra: Htut Lup Re:
- A1 Tang Tang Lha.
- Kui Lha. Mui:
- Nywan. Le: U:
Tau: Rwa Sa Ya (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pu. Lai: Dhat Pra: Htut Lup Re:
- A1 Tang Tang Lha.
- Kui Lha. Mui:
- Nywan. Le: U:
-
Pran La Mai Pan: Rum
- Creator
- Pu. Lai: Dhat Pra: Htut Lup Re:
- Tap Krap Kri: Nywan. Hkang
- Kui Lha. Mui:
- Nywan. Le: U:
Pran La Mai Pan: Rum
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pu. Lai: Dhat Pra: Htut Lup Re:
- Tap Krap Kri: Nywan. Hkang
- Kui Lha. Mui:
- Nywan. Le: U:
Showing 1-8 of 8 records.
Categories
Type
Subject
Creator
- Kui Lha. Mui:
- Pu. Lai: Dhat Pra: Htut Lup Re:6
- Nywan. Le: U:4
- A1 Tang Tang Lha.2
- Ae Wam: Tang Tang Lha.2
- Ae Wang: Tang Tang Lha.2
- Mui:2
- Nywan. Le: U: Te:2
- Tap Krap Kri: Nywan. Hkang2