Records
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Refined by : Alangka Kyau Ca Re Man: Tang Maung Ka.ra.wik Nyi Naung Music--Asia--Discography. Southeast Asia
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Buddha. Wang - Tau: Htwak Hkam: (1)
- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung
- Jat Sa. Bhang A. Hpwai.
Buddha. Wang - Tau: Htwak Hkam: (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung
- Jat Sa. Bhang A. Hpwai.
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Buddha. Wang - Tau: Htwak Hkam: (2)
- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung
- Jat Sa. Bhang A. Hpwai.
Buddha. Wang - Tau: Htwak Hkam: (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung
- Jat Sa. Bhang A. Hpwai.
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Rwai: Kun Sany (8)
- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
Rwai: Kun Sany (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
-
Rwai: Kun Sany (6)
- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
Rwai: Kun Sany (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
-
Rwai: Kun Sany (4)
- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
Rwai: Kun Sany (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
-
Rwai: Kun Sany (7)
- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
Rwai: Kun Sany (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
-
Rwai: Kun Sany (5)
- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
Rwai: Kun Sany (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
-
Rwai: Kun Sany (9)
- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
Rwai: Kun Sany (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
-
Rwai: Kun Sany (10)
- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
Rwai: Kun Sany (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
-
Rwai: Kun Sany (9)
- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
Rwai: Kun Sany (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.
Showing 1-10 of 21 records.
Categories
Type
Subject
- Burmese (Musical group)21
- Ethnomusicology--Asia.21
- Music--Asia--Discography.
- Myanmar21
- Southeast Asia
Creator
- Alangka Kyau Ca Re Man: Tang Maung
- Ka.ra.wik Nyi Naung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung Jat Sa. Bhang A. Hpwai.17
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung4
- Jat Sa. Bhang A. Hpwai.2