Records
Your search returned 14 Results
Refined by : Audio Visual Collections Audio Visual Collections > Music of Burma On Locally Produced 78rpm Records ca. 1920-1962 Manta. Le: Mrui. Ma. A. Hpwai. Tuil Nuing Kumpa.ni Ethnomusicology--Asia.
- Iconographic browsing
- Results per page : 20
-
Lak Re Sa. Prang Ci: (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Nan: Bhau Rhe. Cha. Ra Tang
- Manta. Le: Mrui. Ma. A. Hpwai.
Lak Re Sa. Prang Ci: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Nan: Bhau Rhe. Cha. Ra Tang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Lak Re Sa. Prang Ci: (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Nan: Bhau Rhe. Cha. Ra Tang
- Manta. Le: Mrui. Ma. A. Hpwai.
Lak Re Sa. Prang Ci: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Nan: Bhau Rhe. Cha. Ra Tang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Nhac Kam Pruing Hpu: Ca (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Nhac Kam Pruing Hpu: Ca (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Aui: Lam Pac (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Cha. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Aui: Lam Pac (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Cha. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Aui: Lam Pac (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Cha. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Aui: Lam Pac (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Cha. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Nhac Kam Pruing Hpu: Ca (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Nhac Kam Pruing Hpu: Ca (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Lha. Umma
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Lha. Umma
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Sa. Bha Wasmi: Prui
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Sa. Bha Wasmi: Prui
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Ni Ni (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Ni Ni (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Ni Ni (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Ni Ni (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Nhac Yauk Htai: (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Nhac Yauk Htai: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Nhac Yauk Htai: (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Nhac Yauk Htai: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Lu Hkywan Lu Kaung: (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Lu Hkywan Lu Kaung: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Lu Hkywan Lu Kaung: (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Lu Hkywan Lu Kaung: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Showing 1-14 of 14 records.
Categories
Type
Subject
- Burmese (Musical group)14
- Ethnomusicology--Asia.
- Music--Asia--Discography.14
- Myanmar14
- Southeast Asia14
Creator
- Manta. Le: Mrui. Ma. A. Hpwai.
- Tui: Na. Ya:14
- Tuil Nuing Kumpa.ni
- Kui Bhui Hkang6
- Ma Ma Ae:6
- Kui Hpu: Am.4
- Mrui. Ma. Hca. Ra Ngrim:4
- Nywan. Wang:3
- Cha. Ra Ngrim:2
- Nan: Bhau Rhe. Cha. Ra Tang2
More