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Refined by : Audio Visual Collections Audio Visual Collections > Music of Burma On Locally Produced 78rpm Records Wang: U: Burmese (Musical group) Ethnomusicology--Asia. Southeast Asia 78rpm record
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Lau: Ka. Dha. Re Lhuing: (ca.)
- Creator
- Kang: Wan Dhat Pra:
- Wang: U:
- Canda. Ya: Aung Hkang
Lau: Ka. Dha. Re Lhuing: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Kang: Wan Dhat Pra:
- Wang: U:
- Canda. Ya: Aung Hkang
-
Rhe. Tau Pre: Ma. Le: (hcum:)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
Rhe. Tau Pre: Ma. Le: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
-
Lau: Ka. Dha. Re Lhuing: (hcum:)
- Creator
- Kang: Wan Dhat Pra:
- Wang: U:
- Canda. Ya: Aung Hkang
Lau: Ka. Dha. Re Lhuing: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Kang: Wan Dhat Pra:
- Wang: U:
- Canda. Ya: Aung Hkang
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Kui Hcang Pe: Mai. Pan: (hcum:)
- Creator
- Aung kui kui te: sam cum
- Wang: U:
- Nwai. Yany Wang:
- Maung Kui Kui
Kui Hcang Pe: Mai. Pan: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung kui kui te: sam cum
- Wang: U:
- Nwai. Yany Wang:
- Maung Kui Kui
-
Kui Hcang Pe: Mai. Pan: (ca.)
- Creator
- Aung kui kui te: sam cum
- Wang: U:
- Nwai. Yany Wang:
- Maung Kui Kui
Kui Hcang Pe: Mai. Pan: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung kui kui te: sam cum
- Wang: U:
- Nwai. Yany Wang:
- Maung Kui Kui
-
Nyi Tau Mang: Nan - Hkywat Hkam: (hcum:)
- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Wang: U:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Nyi Tau Mang: Nan - Hkywat Hkam: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Wang: U:
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Nyi Tau Mang: Nan - Hkywat Hkam: (ca.)
- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Wang: U:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Nyi Tau Mang: Nan - Hkywat Hkam: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Wang: U:
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Rwhe Rup Lwha
- Creator
- Kang: Wan Dhat Pra:
- Wang: U:
Rwhe Rup Lwha
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Kang: Wan Dhat Pra:
- Wang: U:
-
Bhau Krui Sa. Bhang
- Creator
- Canda Dhat Pra:
- Wang: U:
Bhau Krui Sa. Bhang
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
-
Nam. Sa Sangkran
- Creator
- Canda Dhat Pra:
- Wang: U:
Nam. Sa Sangkran
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
-
Nyi Nyi Rwhe Kye:
- Creator
- Kang: Wan Dhat Pra:
- Wang: U:
Nyi Nyi Rwhe Kye:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Kang: Wan Dhat Pra:
- Wang: U:
-
Hkyac Sau: Nhang: Mhum (hcum:)
- Creator
- Canda Dhat Pra:
- Wang: U:
Hkyac Sau: Nhang: Mhum (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
-
Hkyac Sau: Nhang: Mhum (ca.)
- Creator
- Canda Dhat Pra:
- Wang: U:
Hkyac Sau: Nhang: Mhum (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
-
Rhe. Tau Pre: Ma. Le: (ca.)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
Rhe. Tau Pre: Ma. Le: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
-
Rhe. Tau Pre: Ma. Le: (ca.)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
Rhe. Tau Pre: Ma. Le: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
-
Rwhe Tam Nga (ca.)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Cui: Mrang.
Rwhe Tam Nga (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Cui: Mrang.
-
Rwhe Tam Nga (hcum:)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Cui: Mrang.
Rwhe Tam Nga (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Cui: Mrang.
-
Sak We (ca.)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Tang Tang Mra.
Sak We (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Tang Tang Mra.
-
Rhe. Tau Pre: Ma. Le: (hcum:)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
Rhe. Tau Pre: Ma. Le: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
-
Sak We (hcum:)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Tang Tang Mra.
Sak We (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Tang Tang Mra.
Showing 1-20 of 22 records.