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Refined by : Audio Visual Collections Audio Visual Collections > Music of Burma On Locally Produced 78rpm Records ca. 1920-1962 Tang Tang Htwe: Music--Asia--Discography. Myanmar
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-
Nyany Sum: Yam Hka (hcum:)
- Creator
- Dau Hkang Lha. Dhat Pra:
- Tang Tang Htwe:
Nyany Sum: Yam Hka (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Dau Hkang Lha. Dhat Pra:
- Tang Tang Htwe:
-
Nyany Sum: Yam Hka (hcum:)
- Creator
- Dau Hkang Lha. Dhat Pra:
- Tang Tang Htwe:
Nyany Sum: Yam Hka (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Dau Hkang Lha. Dhat Pra:
- Tang Tang Htwe:
-
Nyany Sum: Yam Hka (ca.)
- Creator
- Dau Hkang Lha. Dhat Pra:
- Tang Tang Htwe:
Nyany Sum: Yam Hka (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Dau Hkang Lha. Dhat Pra:
- Tang Tang Htwe:
-
Nyany Sum: Yam Hka (ca.)
- Creator
- Dau Hkang Lha. Dhat Pra:
- Tang Tang Htwe:
Nyany Sum: Yam Hka (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Dau Hkang Lha. Dhat Pra:
- Tang Tang Htwe:
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (7)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (2)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (5)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (6)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (1)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (9)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (8)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (3)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (4)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (10)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Nhang: A. Lha. Nai. Hcaung: Nya. Pan: Hkyi (ca.)
- Creator
- Sin: Htuik Dhat Pra:
- Sin: Ne Tam Hcip
- Tang Tang Htwe:
- Sin: Cui:
Nhang: A. Lha. Nai. Hcaung: Nya. Pan: Hkyi (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Sin: Htuik Dhat Pra:
- Sin: Ne Tam Hcip
- Tang Tang Htwe:
- Sin: Cui:
-
Nhang: A. Lha. Nai. Hcaung: Nya. Pan: Hkyi (hcum:)
- Creator
- Sin: Htuik Dhat Pra:
- Sin: Ne Tam Hcip
- Tang Tang Htwe:
- Sin: Cui:
Nhang: A. Lha. Nai. Hcaung: Nya. Pan: Hkyi (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Sin: Htuik Dhat Pra:
- Sin: Ne Tam Hcip
- Tang Tang Htwe:
- Sin: Cui:
Showing 1-16 of 16 records.
Categories
Type
Subject
- Burmese (Musical group)16
- Ethnomusicology--Asia.16
- Music--Asia--Discography.
- Myanmar
- Southeast Asia16
Creator
- Tang Tang Htwe:
- Cu Pa Huik Kumpa.ni Limi.tak10
- Cu Pa Huik Tu Ri. Ya Hpwai.10
- E Wa. Rak Taung Tam Hcap10
- Kyau Hcang.10
- Tang Tang Mra.10
- Dau Hkang Lha. Dhat Pra:4
- Sin: Cui:2
- Sin: Htuik Dhat Pra:2
- Sin: Ne Tam Hcip2