Records
Your search returned 38 Results
Refined by : Audio Visual Collections ca. 1920-1962 Rwhe Man: Pan Krany Lang Jat A. Hpwai. Tui: Na. Ya:
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Na Ga. Su Ja Jat Htup (1)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (9)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (3)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (12)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (12)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Su. Wanna. Syham Jat Htup (13)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Su. Wanna. Syham Jat Htup (13)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (3)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (14)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (12)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (12)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (14)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (2)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (4)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (2)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (16)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (16)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (13)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (13)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (10)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (5)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (8)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Su. Wanna. Syham Jat Htup (14)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Su. Wanna. Syham Jat Htup (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (7)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (7)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (4)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (6)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (5)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Su. Wanna. Syham Jat Htup (14)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Su. Wanna. Syham Jat Htup (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (13)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (13)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (1)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (10)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (11)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (11)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (9)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (9)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (12)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (12)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (6)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (10)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (11)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (11)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Su. Wanna. Syham Jat Htup (13)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Su. Wanna. Syham Jat Htup (13)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (11)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (11)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (15)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (15)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (8)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Showing 1-38 of 38 records.
Categories
Type
Subject
- Burmese (Musical group)38
- Ethnomusicology--Asia.38
- Music--Asia--Discography.38
- Myanmar38
- Southeast Asia38