Records
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Refined by : Aung krak sa re dhak pra: tuik Ethnomusicology--Asia. Myanmar Southeast Asia 78rpm record
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Muigh: De Wa (2)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Muigh: De Wa (2)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Muigh: De Wa (1)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Muigh: De Wa (1)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Muigh: De Wa (3)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Muigh: De Wa (4)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Muigh: De Wa (4)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Muigh: De Wa (3)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Tang: Tim (hcum:)
- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
- Kui Wang: Nuing
Tang: Tim (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
- Kui Wang: Nuing
-
Tang: Tim (ca.)
- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
- Kui Wang: Nuing
Tang: Tim (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
- Kui Wang: Nuing
-
Krang Lui Su Mau: (ca.)
- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
- Gi Ta. Sin: Cui:
Krang Lui Su Mau: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
- Gi Ta. Sin: Cui:
-
Kye: Tau: Su (hcum:)
- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
- Kui Nywan. We
Kye: Tau: Su (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
- Kui Nywan. We
-
Kye: Tau: Su (ca.)
- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
- Kui Nywan. We
Kye: Tau: Su (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
- Kui Nywan. We
-
Krang Lui Su Mau: (hcum:)
- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
- Gi Ta. Sin: Cui:
Krang Lui Su Mau: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
- Gi Ta. Sin: Cui:
-
Dhamma. Ka. Hta - Bha. Wa. Sam Sa. Ra (hcum:)
- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
Dhamma. Ka. Hta - Bha. Wa. Sam Sa. Ra (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
-
Dhamma. Ka. Hta - Bha. Wa. Sam Sa. Ra (ca.)
- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
Dhamma. Ka. Hta - Bha. Wa. Sam Sa. Ra (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
-
Mang Ga. La Te: (ca.)
- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
Mang Ga. La Te: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
-
Mang Ga. La Te: (hcum:)
- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
Mang Ga. La Te: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
Showing 1-18 of 18 records.
Categories
Type
Subject
Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan10
- Rwhe Prany Ae:8
- Tang Tang Mra.8
- Gi Ta. Sin: Cui:2
- Kui Nywan. We2
- Kui Wang: Nuing2