Records
Your search returned 8 Results
- Iconographic browsing
- Results per page : 50
-
Pu: Ca (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
- Cin Buil Htang. Chuing: A Hpwai.
Pu: Ca (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
- Cin Buil Htang. Chuing: A Hpwai.
-
Te: Lung
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
Te: Lung
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
-
Pu: Ca (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
- Cin Buil Htang. Chuing: A Hpwai.
Pu: Ca (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
- Cin Buil Htang. Chuing: A Hpwai.
-
Cim Lai: Tan Sa
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
Cim Lai: Tan Sa
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
-
Cim. Kri: Mruing Kri: (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
Cim. Kri: Mruing Kri: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
-
Cim. Kri: Mruing Kri: (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
Cim. Kri: Mruing Kri: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
-
Ran Kun Su (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
Ran Kun Su (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
-
Ran Kun Su (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
Ran Kun Su (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
Showing 1-8 of 8 records.