Records
Your search returned 4 Results
Refined by : Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak Kui Rai: Aung Ethnomusicology--Asia. Music--Asia--Discography. Southeast Asia
- Iconographic browsing
- Results per page : 50
-
Rwhe Hkyi Myang: (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Aung San:
- Krany Krany Wang:
- Kui Rai: Aung
Rwhe Hkyi Myang: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Aung San:
- Krany Krany Wang:
- Kui Rai: Aung
-
Rwhe Hkyi Myang: (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Aung San:
- Krany Krany Wang:
- Kui Rai: Aung
Rwhe Hkyi Myang: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Aung San:
- Krany Krany Wang:
- Kui Rai: Aung
-
Ba. Ma. Krak Sa. Re (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Mra. Kri:
- Kui Rai: Aung
Ba. Ma. Krak Sa. Re (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Mra. Kri:
- Kui Rai: Aung
-
Ba. Ma. Krak Sa. Re (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Mra. Kri:
- Kui Rai: Aung
Ba. Ma. Krak Sa. Re (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Mra. Kri:
- Kui Rai: Aung
Showing 1-4 of 4 records.
Categories
Type
Subject
Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Rai: Aung
- Krany Krany Wang:2
- Kui Aung San:2
- Kui Mra. Kri:2