Records
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Hkyac Ta Pa. Dha Na. (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Tang Tang Mra.
- Mrui. Ma. Hca. Ra Ngrim:
Hkyac Ta Pa. Dha Na. (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Tang Tang Mra.
- Mrui. Ma. Hca. Ra Ngrim:
-
Hkyac Ta Pa. Dha Na. (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Tang Tang Mra.
- Mrui. Ma. Hca. Ra Ngrim:
Hkyac Ta Pa. Dha Na. (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Tang Tang Mra.
- Mrui. Ma. Hca. Ra Ngrim:
-
Man Da Li (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
Man Da Li (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
-
Man Da Li (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
Man Da Li (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
-
Nhac Yauk Htai: (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Nhac Yauk Htai: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Nhac Yauk Htai: (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Nhac Yauk Htai: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Lu Hkywan Lu Kaung: (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Lu Hkywan Lu Kaung: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Lu Hkywan Lu Kaung: (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Lu Hkywan Lu Kaung: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Showing 1-8 of 8 records.
Categories
Type
Subject
Creator
- Mrui. Ma. Hca. Ra Ngrim:
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni8
- Ma Ma Ae:6
- Manta. Le: Mrui. Ma. A. Hpwai.4
- Tang Tang Mra.2