Records
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Refined by : Audio Visual Collections Audio Visual Collections > Music of Burma On Locally Produced 78rpm Records ca. 1920-1962 Kui Bhui Hkang Tuil Nuing Kumpa.ni Burmese (Musical group) Ethnomusicology--Asia. Music--Asia--Discography.
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Nhac Kam Pruing Hpu: Ca (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Nhac Kam Pruing Hpu: Ca (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Nhac Kam Pruing Hpu: Ca (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Nhac Kam Pruing Hpu: Ca (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Lha. Umma
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Lha. Umma
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Sa. Bha Wasmi: Prui
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Sa. Bha Wasmi: Prui
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Ni Ni (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Ni Ni (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Ni Ni (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Ni Ni (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Showing 1-6 of 6 records.
Categories
Type
Subject
Creator
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.6
- Tui: Na. Ya:6
- Tuil Nuing Kumpa.ni
- Nywan. Wang:3
- Ma Ma Ae:2
- Hthte: Hthte: Mrang.1