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Refined by : Audio Visual Collections Audio Visual Collections > Music of Burma On Locally Produced 78rpm Records ca. 1920-1962 Tui: Na. Ya: Tuil Nuing Kumpa.ni Music--Asia--Discography. Southeast Asia 78rpm record
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Ta. Re: Hkyac Hkwang. Mrang Ra. Nui: (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Le: Nywan.
Ta. Re: Hkyac Hkwang. Mrang Ra. Nui: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Le: Nywan.
-
E. Ra. Ka. Patta. Jat: (2)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
E. Ra. Ka. Patta. Jat: (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
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O Wa Da. Chay Hpra (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Bha. San:
- Mrang. Mrang. Rhin
- Kui Le: Hka.
O Wa Da. Chay Hpra (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Bha. San:
- Mrang. Mrang. Rhin
- Kui Le: Hka.
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A. Sinde Yya. (2)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
A. Sinde Yya. (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
-
Na Ga. Su Ja Jat Htup (1)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Ta. Re: Hkyac Hkwang. Mrang Ra. Nui: (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Le: Nywan.
Ta. Re: Hkyac Hkwang. Mrang Ra. Nui: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Le: Nywan.
-
E. Ra. Ka. Patta. Jat: (3)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
E. Ra. Ka. Patta. Jat: (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
-
Singhkam Bhadda. Jat Htup (9)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (3)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
E. Ra. Ka. Patta. Jat: (1)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
E. Ra. Ka. Patta. Jat: (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
Showing 1-10 of 78 records.
Categories
Type
Subject
- Burmese (Musical group)78
- Ethnomusicology--Asia.78
- Music--Asia--Discography.
- Myanmar78
- Southeast Asia
Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.38
- Manta. Le: Mrui. Ma. A. Hpwai.14
- Ma Ma Ae:12
- Mrui. Ma. Hca. Ra Ngrim:8
- Kui Bhui Hkang6
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:6
- Kui Hpu: Am.4
- Hthte: Hthte: Mrang.3
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