Records
Your search returned 14 Results
Refined by : Audio Visual Collections Pa. De Sa Sam Cum Swang:
- Iconographic browsing
- Results per page : 10
-
Krany Nu: Bhway Ra (ca.)
- Creator
- Aung Sa. Pre
- Pa. De Sa Sam Cum Swang:
- Nwai. Yany Yany Cin Bha. Lang:
- Cin Bha. San: A. Hpwai.
Krany Nu: Bhway Ra (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Sa. Pre
- Pa. De Sa Sam Cum Swang:
- Nwai. Yany Yany Cin Bha. Lang:
- Cin Bha. San: A. Hpwai.
-
Krany Nu: Bhway Ra (hcum:)
- Creator
- Aung Sa. Pre
- Pa. De Sa Sam Cum Swang:
- Nwai. Yany Yany Cin Bha. Lang:
- Cin Bha. San: A. Hpwai.
Krany Nu: Bhway Ra (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Sa. Pre
- Pa. De Sa Sam Cum Swang:
- Nwai. Yany Yany Cin Bha. Lang:
- Cin Bha. San: A. Hpwai.
-
A Langka Kyau Cwa Rwa Ca: Kri: (1)
- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
A Langka Kyau Cwa Rwa Ca: Kri: (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
-
Mui: Pra Auk Ka. Me (ca.)
- Creator
- Pa. De Sa Sam Cum Swang:
- Tang Tang Mra.
Mui: Pra Auk Ka. Me (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pa. De Sa Sam Cum Swang:
- Tang Tang Mra.
-
A Langka Kyau Cwa Rwa Ca: Kri: (6)
- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
A Langka Kyau Cwa Rwa Ca: Kri: (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
-
A Langka Kyau Cwa Rwa Ca: Kri: (4)
- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
A Langka Kyau Cwa Rwa Ca: Kri: (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
-
A Langka Kyau Cwa Rwa Ca: Kri: (2)
- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
A Langka Kyau Cwa Rwa Ca: Kri: (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
-
A Langka Kyau Cwa Rwa Ca: Kri: (3)
- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
A Langka Kyau Cwa Rwa Ca: Kri: (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
-
Mui: Pra Auk Ka. Me (hcum:)
- Creator
- Pa. De Sa Sam Cum Swang:
- Tang Tang Mra.
Mui: Pra Auk Ka. Me (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pa. De Sa Sam Cum Swang:
- Tang Tang Mra.
-
Ma. Be Dha Ti: Yum:
- Creator
- Pa. De Sa Sam Cum Swang:
- Cin Ku. La: Kri:
Ma. Be Dha Ti: Yum:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pa. De Sa Sam Cum Swang:
- Cin Ku. La: Kri:
Showing 1-10 of 14 records.
Categories
Type
Subject
- Burmese (Musical group)14
- Ethnomusicology--Asia.14
- Music--Asia--Discography.14
- Myanmar14
- Southeast Asia14
Creator
- Pa. De Sa Sam Cum Swang:
- Hkyac San: Cin6
- U: Bha. Maung6
- Aung Sa. Pre2
- Cin Bha. San: A. Hpwai.2
- Cin Ku. La: Kri:2
- Ma Ma Ae:2
- Nwai. Yany Yany Cin Bha. Lang:2
- Tang Tang Mra.2