Records
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Muiy: De Wa (hcum:)
- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Ma. Lha. Rwhe
- Ma. San: Mrang.
Muiy: De Wa (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Ma. Lha. Rwhe
- Ma. San: Mrang.
-
Muiy: De Wa (hcak)
- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Ma. Lha. Rwhe
- Ma. San: Mrang.
Muiy: De Wa (hcak)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Ma. Lha. Rwhe
- Ma. San: Mrang.
-
Muiy: De Wa (ca.)
- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Ma. Lha. Rwhe
- Ma. San: Mrang.
Muiy: De Wa (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Ma. Lha. Rwhe
- Ma. San: Mrang.
-
Muiy: De Wa (hcak)
- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Ma. Lha. Rwhe
- Ma. San: Mrang.
Muiy: De Wa (hcak)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Ma. Lha. Rwhe
- Ma. San: Mrang.
-
Mi: Ja Lai: Se, Sai: Lai: Krwe (ca.)
- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Canda.ya: Kui Hkyac Hcwe
Mi: Ja Lai: Se, Sai: Lai: Krwe (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Canda.ya: Kui Hkyac Hcwe
-
Mrat Nui: Su (ca.)
- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Kui Saung:
Mrat Nui: Su (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Kui Saung:
-
Mi: Ja Lai: Se, Sai: Lai: Krwe (hcum:)
- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Canda.ya: Kui Hkyac Hcwe
Mi: Ja Lai: Se, Sai: Lai: Krwe (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Canda.ya: Kui Hkyac Hcwe
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Aim Htaung Rhang
- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Hkang Yu. Me
Aim Htaung Rhang
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Hkang Yu. Me
-
Mrat Nui: Su (hcum:)
- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Kui Saung:
Mrat Nui: Su (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Kui Saung:
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U Pa. Ka. - Hca Wa (hcum:)
- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Hpui: Pa Kri:
- Hkang Yu. Me
U Pa. Ka. - Hca Wa (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Hpui: Pa Kri:
- Hkang Yu. Me
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Pan: Pan Rang
- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Mrang. Mrang. Hkang
Pan: Pan Rang
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Mrang. Mrang. Hkang
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U Pa. Ka. - Hca Wa (ca.)
- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Hpui: Pa Kri:
- Hkang Yu. Me
U Pa. Ka. - Hca Wa (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Hpui: Pa Kri:
- Hkang Yu. Me
Showing 1-12 of 12 records.
Categories
Type
Subject
- Burmese (Musical group)12
- Ethnomusicology--Asia.12
- Music--Asia--Discography.12
- Myanmar12
- Southeast Asia
Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Ma. Lha. Rwhe4
- Ma. San: Mrang.4
- Hkang Yu. Me3
- Canda.ya: Kui Hkyac Hcwe2
- Hpui: Pa Kri:2
- Kui Saung:2
- Mrang. Mrang. Hkang1