Records
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Rhe. Tau Pre: Ma. Le: (hcum:)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
Rhe. Tau Pre: Ma. Le: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
-
Bhau Krui Sa. Bhang
- Creator
- Canda Dhat Pra:
- Wang: U:
Bhau Krui Sa. Bhang
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
-
Nam. Sa Sangkran
- Creator
- Canda Dhat Pra:
- Wang: U:
Nam. Sa Sangkran
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
-
Hkyac Sau: Nhang: Mhum (hcum:)
- Creator
- Canda Dhat Pra:
- Wang: U:
Hkyac Sau: Nhang: Mhum (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
-
Hkyac Sau: Nhang: Mhum (ca.)
- Creator
- Canda Dhat Pra:
- Wang: U:
Hkyac Sau: Nhang: Mhum (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
-
Rhe. Tau Pre: Ma. Le: (ca.)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
Rhe. Tau Pre: Ma. Le: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
-
Rhe. Tau Pre: Ma. Le: (ca.)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
Rhe. Tau Pre: Ma. Le: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
-
Rwhe Tam Nga (ca.)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Cui: Mrang.
Rwhe Tam Nga (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Cui: Mrang.
-
Rwhe Tam Nga (hcum:)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Cui: Mrang.
Rwhe Tam Nga (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Cui: Mrang.
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Sak We (ca.)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Tang Tang Mra.
Sak We (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Tang Tang Mra.
-
Rhe. Tau Pre: Ma. Le: (hcum:)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
Rhe. Tau Pre: Ma. Le: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Hkang Maung
-
Sak We (hcum:)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Tang Tang Mra.
Sak We (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Tang Tang Mra.
-
Rwhe Tam Nga (ca.)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Cui: Mrang.
Rwhe Tam Nga (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Cui: Mrang.
-
Rwhe Tam Nga (hcum:)
- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Cui: Mrang.
Rwhe Tam Nga (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Canda Dhat Pra:
- Wang: U:
- Ae Wam: Cui: Mrang.
Showing 1-14 of 14 records.