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Refined by : Audio Visual Collections Audio Visual Collections > Music of Burma On Locally Produced 78rpm Records Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni Myanmar Southeast Asia 78rpm record
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-
Ngwe Wan: Sau Da (ca.)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
- Kui Cau: Nyin:
Ngwe Wan: Sau Da (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
- Kui Cau: Nyin:
-
Canda Rhang (hcum:)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
- Gita. Nak San Kui Un: Lwang
Canda Rhang (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
- Gita. Nak San Kui Un: Lwang
-
Canda Rhang (ca.)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
- Gita. Nak San Kui Un: Lwang
Canda Rhang (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
- Gita. Nak San Kui Un: Lwang
-
Lak Cwam: Pya. Ti: Lum:
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Rwha Ca: Cin Bha. Han
Lak Cwam: Pya. Ti: Lum:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Rwha Ca: Cin Bha. Han
-
Wa Ti. Nan" Ta. Mya. Ti: Lum: Hcan:
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Kui Nyui Le:
- Rwha Ca: Cin Bha. Han
Wa Ti. Nan" Ta. Mya. Ti: Lum: Hcan:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Kui Nyui Le:
- Rwha Ca: Cin Bha. Han
-
Sany chaung: he man: (ca.)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
- Kui Cau: Nyin:
Sany chaung: he man: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
- Kui Cau: Nyin:
-
Sany chaung: he man: (hcum:)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
- Kui Cau: Nyin:
Sany chaung: he man: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
- Kui Cau: Nyin:
-
Sacca (hcum:)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
Sacca (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
-
Dhamma.ca.kra may rwhe (4)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
Dhamma.ca.kra may rwhe (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
-
Dhamma.ca.kra may rwhe (3)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
Dhamma.ca.kra may rwhe (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
-
Sacca (ca.)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
Sacca (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
-
Dhamma.ca.kra may rwhe (1)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
Dhamma.ca.kra may rwhe (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
-
Dhamma.ca.kra may rwhe (2)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
Dhamma.ca.kra may rwhe (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
-
Ngwe Wan: Sau Da (hcum:)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
- Kui Cau: Nyin:
Ngwe Wan: Sau Da (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
- Kui Cau: Nyin:
Showing 1-14 of 14 records.
Categories
Type
Subject
- Burmese (Musical group)14
- Ethnomusicology--Asia.14
- Music--Asia--Discography.14
- Myanmar
- Southeast Asia
Creator
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Rwhe Mang: Sa. Mi:14
- Maung Maung Nywan.6
- Tang Tang Mra.6
- Kui Cau: Nyin:4
- Gita. Nak San Kui Un: Lwang2
- Rwha Ca: Cin Bha. Han2
- Kui Nyui Le:1