Records
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Refined by : Audio Visual Collections 1962 Burmese (Musical group) Music--Asia--Discography. Southeast Asia
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Hkyac Bham Hkyu Rhang (ca.)
- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Nywan. Nywan. Cin
- A. Langka Kyau Cwa Rwhe Prany Ae:
Hkyac Bham Hkyu Rhang (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Nywan. Nywan. Cin
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Yui Yi: (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Yui Yi: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Yui Yi: (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Yui Yi: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Yui Yi: (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Yui Yi: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Yui Yi: (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Yui Yi: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Ma. Ha Nandi. Ya. Myauk Mang: Jat (8)
- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
Ma. Ha Nandi. Ya. Myauk Mang: Jat (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
-
Ma. Ha Nandi. Ya. Myauk Mang: Jat (6)
- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
Ma. Ha Nandi. Ya. Myauk Mang: Jat (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
-
Ma. Ha Nandi. Ya. Myauk Mang: Jat (4)
- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
Ma. Ha Nandi. Ya. Myauk Mang: Jat (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
-
Ma. Ha Nandi. Ya. Myauk Mang: Jat (3)
- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
Ma. Ha Nandi. Ya. Myauk Mang: Jat (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
-
Ma. Ha Nandi. Ya. Myauk Mang: Jat (7)
- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
Ma. Ha Nandi. Ya. Myauk Mang: Jat (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
-
Hkyac Bham Hkyu Rhang (hcum:)
- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Nywan. Nywan. Cin
- A. Langka Kyau Cwa Rwhe Prany Ae:
Hkyac Bham Hkyu Rhang (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Nywan. Nywan. Cin
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Ma. Ha Nandi. Ya. Myauk Mang: Jat (10)
- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
Ma. Ha Nandi. Ya. Myauk Mang: Jat (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
-
Can: Pwang. Su (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- A Kau Di Yam Kui Aun: Kyau
- A. Langka Kyau Cwa Rwhe Prany Ae:
Can: Pwang. Su (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- A Kau Di Yam Kui Aun: Kyau
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Ma. Ha Nandi. Ya. Myauk Mang: Jat (9)
- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
Ma. Ha Nandi. Ya. Myauk Mang: Jat (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
-
Can: Pwang. Su (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- A Kau Di Yam Kui Aun: Kyau
- A. Langka Kyau Cwa Rwhe Prany Ae:
Can: Pwang. Su (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- A Kau Di Yam Kui Aun: Kyau
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Ma. Ha Nandi. Ya. Myauk Mang: Jat (5)
- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
Ma. Ha Nandi. Ya. Myauk Mang: Jat (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
-
Na. Bhan: Hcam (hcum:)
- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Mrang. Mrang. Hkang
- A. Langka Kyau Cwa Rwhe Prany Ae:
Na. Bhan: Hcam (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Mrang. Mrang. Hkang
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Na. Bhan: Hcam (ca.)
- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Mrang. Mrang. Hkang
- A. Langka Kyau Cwa Rwhe Prany Ae:
Na. Bhan: Hcam (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Mrang. Mrang. Hkang
- A. Langka Kyau Cwa Rwhe Prany Ae:
Showing 1-18 of 18 records.
Categories
Type
Subject
Creator
- A. Langka Kyau Cwa Rwhe Prany Ae:10
- Cu Pa Huik Kumpa.ni Limi.tak8
- Ei: Wa. Rak Taung Tam Hcip8
- Rwhe Bhui Mra.8
- Rwhe Bhui Tang Maung8
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak6
- Be Lu. Wa. Dhat Pra: Kumpa.ni4
- Krany Krany Wang:4
- A Kau Di Yam Kui Aun: Kyau2
- Mrang. Mrang. Hkang2
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