Records
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A Sak Ka. Le: Ngay Ngay (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Hkyui Prum:
A Sak Ka. Le: Ngay Ngay (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Hkyui Prum:
-
A Sak Ka. Le: Ngay Ngay (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Hkyui Prum:
A Sak Ka. Le: Ngay Ngay (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Hkyui Prum:
-
Sacca Pan: Ta. Hkak (ca.)
- Creator
- Aung krak sa re kumpani limitak
- Hkyui Prum:
- Mrui.ma Kui Bhui Khang
- Mrui.ma. Tu Ri. Ya
Sacca Pan: Ta. Hkak (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re kumpani limitak
- Hkyui Prum:
- Mrui.ma Kui Bhui Khang
- Mrui.ma. Tu Ri. Ya
-
Sacca Pan: Ta. Hkak (hcum:)
- Creator
- Aung krak sa re kumpani limitak
- Hkyui Prum:
- Mrui.ma Kui Bhui Khang
- Mrui.ma. Tu Ri. Ya
Sacca Pan: Ta. Hkak (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re kumpani limitak
- Hkyui Prum:
- Mrui.ma Kui Bhui Khang
- Mrui.ma. Tu Ri. Ya
-
Pu. Lwe Tui Rhang (hcum:)
- Creator
- Mrang. Tui: Dhat Pra: Htut Lup Re:
- Kui Mra. Kri:
- Hkyui Prum:
- Kambhau:ja. Mra. Nanda
Pu. Lwe Tui Rhang (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Mrang. Tui: Dhat Pra: Htut Lup Re:
- Kui Mra. Kri:
- Hkyui Prum:
- Kambhau:ja. Mra. Nanda
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Pu. Lwe Tui Rhang (ca.)
- Creator
- Mrang. Tui: Dhat Pra: Htut Lup Re:
- Kui Mra. Kri:
- Hkyui Prum:
- Kambhau:ja. Mra. Nanda
Pu. Lwe Tui Rhang (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Mrang. Tui: Dhat Pra: Htut Lup Re:
- Kui Mra. Kri:
- Hkyui Prum:
- Kambhau:ja. Mra. Nanda
-
Maung. A. Twak Lak Chaung (4)
- Creator
- Hangsa Ta. - Cin Lang: Dhat Pra: Htut Lup Re:
- Hkyui Prum:
- Kui Tang Aung
Maung. A. Twak Lak Chaung (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. - Cin Lang: Dhat Pra: Htut Lup Re:
- Hkyui Prum:
- Kui Tang Aung
-
Maung. A. Twak Lak Chaung (3)
- Creator
- Hangsa Ta. - Cin Lang: Dhat Pra: Htut Lup Re:
- Hkyui Prum:
- Kui Tang Aung
Maung. A. Twak Lak Chaung (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. - Cin Lang: Dhat Pra: Htut Lup Re:
- Hkyui Prum:
- Kui Tang Aung
-
Ca. Pay Ta. Hkak Mwhe: Ne Lyhak (ca.)
- Creator
- Hcan: Sac Te: Kumpa.ni
- Kui Tang Aung
- Hkyui Prum:
Ca. Pay Ta. Hkak Mwhe: Ne Lyhak (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hcan: Sac Te: Kumpa.ni
- Kui Tang Aung
- Hkyui Prum:
-
Ca. Pay Ta. Hkak Mwhe: Ne Lyhak (hcum:)
- Creator
- Hcan: Sac Te: Kumpa.ni
- Kui Tang Aung
- Hkyui Prum:
Ca. Pay Ta. Hkak Mwhe: Ne Lyhak (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hcan: Sac Te: Kumpa.ni
- Kui Tang Aung
- Hkyui Prum:
Showing 1-10 of 10 records.
Categories
Type
Subject
- Burmese (Musical group)10
- Ethnomusicology--Asia.10
- Music--Asia--Discography.10
- Myanmar
- Southeast Asia
Creator
- Hkyui Prum:
- Kui Tang Aung4
- Aung krak sa re kumpani limitak2
- Hangsa Ta. - Cin Lang: Dhat Pra: Htut Lup Re:2
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak2
- Hcan: Sac Te: Kumpa.ni2
- Kambhau:ja. Mra. Nanda2
- Kui Mra. Kri:2
- Mrang. Tui: Dhat Pra: Htut Lup Re:2
- Mrui.ma Kui Bhui Khang2
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