Records
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Refined by : Audio Visual Collections ca. 1920-1962 Rup Rhang Mang: Sa: Wang: U: Myanmar Southeast Asia 78rpm record
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Su Ka. Le: (hcum:)
- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Canda.ya: E Wam: Hkang Maung
Su Ka. Le: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Canda.ya: E Wam: Hkang Maung
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Rap Kri: Su (ca.)
- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
Rap Kri: Su (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
-
Hcu. Tu: Rway (ca.)
- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
Hcu. Tu: Rway (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
-
Su Ka. Le: (ca.)
- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Canda.ya: E Wam: Hkang Maung
Su Ka. Le: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Canda.ya: E Wam: Hkang Maung
-
Su Ka. Le: (hcum:)
- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Canda.ya: E Wam: Hkang Maung
Su Ka. Le: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Canda.ya: E Wam: Hkang Maung
-
Su Ka. Le: (ca.)
- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Canda.ya: E Wam: Hkang Maung
Su Ka. Le: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Canda.ya: E Wam: Hkang Maung
-
Hcu. Tu: Rway (hcum:)
- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
Hcu. Tu: Rway (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
-
Ma. Ma. Mui: (ca.)
- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Rup Rhang Mang: Sa: Wang: U:
- Rwhe Prany E:
Ma. Ma. Mui: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Rup Rhang Mang: Sa: Wang: U:
- Rwhe Prany E:
-
Rap Kri: Su (hcum:)
- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
Rap Kri: Su (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
-
Ma. Ma. Mui: (hcum:)
- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Rup Rhang Mang: Sa: Wang: U:
- Rwhe Prany E:
Ma. Ma. Mui: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Rup Rhang Mang: Sa: Wang: U:
- Rwhe Prany E:
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Ma. Pri: Se: Sau: Pan: Hkyi Ka:
- Creator
- Ra. Ta. Na Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Mrui.ma. Ngrim:
Ma. Pri: Se: Sau: Pan: Hkyi Ka:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ra. Ta. Na Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Mrui.ma. Ngrim:
-
Htap Ta. Ra Lam:
- Creator
- Ra. Ta. Na Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Mrui.ma. Ngrim:
Htap Ta. Ra Lam:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ra. Ta. Na Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Mrui.ma. Ngrim:
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Cam Pra. Ma La
- Creator
- Ra. Ta. Na Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Mrui.ma. Ngrim:
Cam Pra. Ma La
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ra. Ta. Na Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Mrui.ma. Ngrim:
-
A. Lhu Tau
- Creator
- Ra. Ta. Na Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Mrui.ma. Ngrim:
A. Lhu Tau
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ra. Ta. Na Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Mrui.ma. Ngrim:
-
Nway Cim:
- Creator
- Ra. Ta. Na Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Mrui.ma. Ngrim:
Nway Cim:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ra. Ta. Na Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Mrui.ma. Ngrim:
-
Ngwe Jang Yau
- Creator
- Ra. Ta. Na Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Mrui.ma. Ngrim:
Ngwe Jang Yau
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ra. Ta. Na Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Mrui.ma. Ngrim:
-
Ma. Ma. Mui: (hcum:)
- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Rup Rhang Mang: Sa: Wang: U:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Ma. Ma. Mui: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Rup Rhang Mang: Sa: Wang: U:
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Ma. Ma. Mui: (ca.)
- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Rup Rhang Mang: Sa: Wang: U:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Ma. Ma. Mui: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Be Lu. Wa. Dhat Pra: Kumpa.ni
- Rup Rhang Mang: Sa: Wang: U:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Showing 1-18 of 18 records.
Categories
Type
Subject
- Burmese (Musical group)18
- Ethnomusicology--Asia.18
- Music--Asia--Discography.18
- Myanmar
- Southeast Asia
Creator
- Rup Rhang Mang: Sa: Wang: U:
- Aung Nuing Dhat Pra:8
- Mrui.ma. Ngrim:6
- Ra. Ta. Na Dhat Pra:6
- Be Lu. Wa. Dhat Pra: Kumpa.ni4
- Canda.ya: E Wam: Hkang Maung4
- A. Langka Kyau Cwa Rwhe Prany Ae:2
- Rwhe Prany E:2