Records
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Hkaung: Laung: Htui: Sam Bhai Su. Kam (7)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Krany Nu: Bhay Na. Rany: (hcum:)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Sin Buil Tang. Hcuing: A. Hpwai.
Krany Nu: Bhay Na. Rany: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Sin Buil Tang. Hcuing: A. Hpwai.
-
Krany Nu: Bhay Na. Rany: (ca.)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Sin Buil Tang. Hcuing: A. Hpwai.
Krany Nu: Bhay Na. Rany: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Sin Buil Tang. Hcuing: A. Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (2)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Ta. Wa. Gu Pr. Jat A. Puing: (2)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (8)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (6)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (5)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (1)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (3)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (7)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (4)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (3)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
A. Bha. Tui. Rwa (hcum:)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Mra. Ka. Laung
A. Bha. Tui. Rwa (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Mra. Ka. Laung
-
Maung Kri: Krui Ne Many (hcum:)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Hangsa Ta. Htwan: Rang
- Pan Tya Hkyac Lhuing
Maung Kri: Krui Ne Many (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Hangsa Ta. Htwan: Rang
- Pan Tya Hkyac Lhuing
-
A. Bha. Tui. Rwa (ca.)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Mra. Ka. Laung
A. Bha. Tui. Rwa (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Mra. Ka. Laung
-
Rhang Sa Ri. Putta. Ra (9)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Hkyac Mrui . . . (ca.)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Takka. Suil Myui: Khyac
- Ae Wam: Krany Ae A. Hpwai.
Hkyac Mrui . . . (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Takka. Suil Myui: Khyac
- Ae Wam: Krany Ae A. Hpwai.
-
Rhang Sa Ri. Putta. Ra (6)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (5)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Rhang Sa Ri. Putta. Ra (5)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (6)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Rhang Sa Ri. Putta. Ra (10)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (1)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Rhang Sa Ri. Putta. Ra (3)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (9)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Rhang Sa Ri. Putta. Ra (2)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (8)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Rhang Sa Ri. Putta. Ra (8)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (3)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Rhang Sa Ri. Putta. Ra (4)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (4)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Rhang Sa Ri. Putta. Ra (7)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Ta. Wa. Gu Pr. Jat A. Puing: (4)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ca. Hkam: Sa (hcum:)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Mrang. Mrang. Hkang
- Ae Wam: Krany Ae A. Hpwai.
Ca. Hkam: Sa (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Mrang. Mrang. Hkang
- Ae Wam: Krany Ae A. Hpwai.
-
Rhang Sa Ri. Putta. Ra (1)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Maung Kri: Krui Ne Many (ca.)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Hangsa Ta. Htwan: Rang
- Pan Tya Hkyac Lhuing
Maung Kri: Krui Ne Many (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Hangsa Ta. Htwan: Rang
- Pan Tya Hkyac Lhuing
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (10)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Showing 1-38 of 38 records.
Categories
Type
Subject
- Burmese (Musical group)38
- Ethnomusicology--Asia.38
- Music--Asia--Discography.
- Myanmar
- Southeast Asia38
Creator
- Cu Pa Huik Kumpa.ni Limi.tak38
- E Wa. Rak Taung Tam Hcap
- Htwan: Rwhe12
- Cu Pa Huik Tu Ri. Ya Hpwai.10
- Kui San: Nuing10
- Kyau Hcang.10
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau10
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau10
- Sang: Sang: Mau10
- Tang Tang Htwe:10
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