Records
Your search returned 78 Results
Refined by : ca. 1920-1962 Tui: Na. Ya: Ethnomusicology--Asia. Music--Asia--Discography. Myanmar 78rpm record
- Iconographic browsing
- Results per page : 50
-
Ta. Re: Hkyac Hkwang. Mrang Ra. Nui: (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Le: Nywan.
Ta. Re: Hkyac Hkwang. Mrang Ra. Nui: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Le: Nywan.
-
E. Ra. Ka. Patta. Jat: (2)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
E. Ra. Ka. Patta. Jat: (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
-
O Wa Da. Chay Hpra (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Bha. San:
- Mrang. Mrang. Rhin
- Kui Le: Hka.
O Wa Da. Chay Hpra (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Bha. San:
- Mrang. Mrang. Rhin
- Kui Le: Hka.
-
A. Sinde Yya. (2)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
A. Sinde Yya. (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
-
Na Ga. Su Ja Jat Htup (1)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Ta. Re: Hkyac Hkwang. Mrang Ra. Nui: (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Le: Nywan.
Ta. Re: Hkyac Hkwang. Mrang Ra. Nui: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Le: Nywan.
-
E. Ra. Ka. Patta. Jat: (3)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
E. Ra. Ka. Patta. Jat: (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
-
Singhkam Bhadda. Jat Htup (9)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (3)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
E. Ra. Ka. Patta. Jat: (1)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
E. Ra. Ka. Patta. Jat: (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
-
Singhkam Bhadda. Jat Htup (12)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (12)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Kunda. La. Lung Jat Htup (12)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- A Ja Ni Nya. Krany Jat Sa. Bhang A. Hpwai.
Kunda. La. Lung Jat Htup (12)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- A Ja Ni Nya. Krany Jat Sa. Bhang A. Hpwai.
-
Su. Wanna. Syham Jat Htup (13)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Su. Wanna. Syham Jat Htup (13)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Hkyac‘ Ca. Ra Ma. Hkyam: Bhau: (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
Hkyac‘ Ca. Ra Ma. Hkyam: Bhau: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
-
E. Ra. Ka. Patta. Jat: (4)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
E. Ra. Ka. Patta. Jat: (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
-
Na Ga. Su Ja Jat Htup (3)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (14)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Hkyac‘ Ca. Ra Ma. Hkyam: Bhau: (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
Hkyac‘ Ca. Ra Ma. Hkyam: Bhau: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
-
Kunda. La. Lung Jat Htup (11)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- A Ja Ni Nya. Krany Jat Sa. Bhang A. Hpwai.
Kunda. La. Lung Jat Htup (11)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- A Ja Ni Nya. Krany Jat Sa. Bhang A. Hpwai.
-
Na Ga. Su Ja Jat Htup (12)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (12)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Lak Re Sa. Prang Ci: (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Nan: Bhau Rhe. Cha. Ra Tang
- Manta. Le: Mrui. Ma. A. Hpwai.
Lak Re Sa. Prang Ci: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Nan: Bhau Rhe. Cha. Ra Tang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Na Ga. Su Ja Jat Htup (14)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Su Rai: Kaung: Ri: Ca:
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Aung San: Tang
- U: Dhat Rhang
Su Rai: Kaung: Ri: Ca:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Aung San: Tang
- U: Dhat Rhang
-
Na Ga. Su Ja Jat Htup (2)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Lak Re Sa. Prang Ci: (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Nan: Bhau Rhe. Cha. Ra Tang
- Manta. Le: Mrui. Ma. A. Hpwai.
Lak Re Sa. Prang Ci: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Nan: Bhau Rhe. Cha. Ra Tang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Na Ga. Su Ja Jat Htup (4)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (2)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (16)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (16)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Nhac Kam Pruing Hpu: Ca (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Nhac Kam Pruing Hpu: Ca (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Na Ga. Su Ja Jat Htup (13)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (13)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (10)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Aui: Lam Pac (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Cha. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Aui: Lam Pac (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Cha. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Na Ga. Su Ja Jat Htup (5)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Aui: Lam Pac (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Cha. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Aui: Lam Pac (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Cha. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Singhkam Bhadda. Jat Htup (8)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Nhac Kam Pruing Hpu: Ca (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Nhac Kam Pruing Hpu: Ca (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Su. Wanna. Syham Jat Htup (14)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Su. Wanna. Syham Jat Htup (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (7)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Lha. Umma
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Lha. Umma
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Singhkam Bhadda. Jat Htup (7)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (4)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (6)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Sa. Bha Wasmi: Prui
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Sa. Bha Wasmi: Prui
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Singhkam Bhadda. Jat Htup (5)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Ni Ni (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Ni Ni (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Su. Wanna. Syham Jat Htup (14)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Su. Wanna. Syham Jat Htup (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (13)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (13)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Ni Ni (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Ni Ni (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Singhkam Bhadda. Jat Htup (1)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (10)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Showing 1-50 of 78 records.
Categories
Type
Subject
- Burmese (Musical group)78
- Ethnomusicology--Asia.
- Music--Asia--Discography.
- Myanmar
- Southeast Asia78
Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni78
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.38
- Manta. Le: Mrui. Ma. A. Hpwai.14
- Ma Ma Ae:12
- Mrui. Ma. Hca. Ra Ngrim:8
- Kui Bhui Hkang6
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:6
- Kui Hpu: Am.4
- Hthte: Hthte: Mrang.3
More