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Muigh: De Wa (2)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Lau: Bha. Mhaung Hkwang: A Raung Lang: (5)
- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
Lau: Bha. Mhaung Hkwang: A Raung Lang: (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
-
Su Ka. Le: (hcum:)
- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Canda.ya: E Wam: Hkang Maung
Su Ka. Le: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Canda.ya: E Wam: Hkang Maung
-
Lau: Bha. Mhaung Hkwang: A Raung Lang: (3)
- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
Lau: Bha. Mhaung Hkwang: A Raung Lang: (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
-
Mwe: Lwan: Sany. Pan: (ca.)
- Creator
- Aung kui kui te: sam cum
- Canda.ya: Hkyac Hcwe
- Gi Ta. Lung Maung Kui Kui
- Rup Rhang Jat Ka: Mha.
Mwe: Lwan: Sany. Pan: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung kui kui te: sam cum
- Canda.ya: Hkyac Hcwe
- Gi Ta. Lung Maung Kui Kui
- Rup Rhang Jat Ka: Mha.
-
U: Rham Ca: U: Din: Daung:
- Creator
- Aung Sa. Pre Dhat Pra: Tik
- Aung Sa. Pre A Hpwai.
- Mha: Tai. A. Hka Lai: Mha: Pe Ma. Pau. Jat Ka: Mha.
U: Rham Ca: U: Din: Daung:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Sa. Pre Dhat Pra: Tik
- Aung Sa. Pre A Hpwai.
- Mha: Tai. A. Hka Lai: Mha: Pe Ma. Pau. Jat Ka: Mha.
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Muigh: De Wa (1)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Ma. Nyui: Pan: Ei: Kan Jat Lam: (2)
- Creator
- Aung Sa. Pre Dhat Pra: Tik
- Tang Tang Lha.
- Tang Tang Mra.
Ma. Nyui: Pan: Ei: Kan Jat Lam: (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Sa. Pre Dhat Pra: Tik
- Tang Tang Lha.
- Tang Tang Mra.
-
Nga. Mui: Rip Jat (8)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Lak Cwam: Pya. Ti: Lum:
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Rwha Ca: Cin Bha. Han
Lak Cwam: Pya. Ti: Lum:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Rwha Ca: Cin Bha. Han
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Rap Kri: Su (ca.)
- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
Rap Kri: Su (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
-
Ma. Nyui: Pan: Ei: Kan Jat Lam: (3)
- Creator
- Aung Sa. Pre Dhat Pra: Tik
- Tang Tang Lha.
- Tang Tang Mra.
Ma. Nyui: Pan: Ei: Kan Jat Lam: (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Sa. Pre Dhat Pra: Tik
- Tang Tang Lha.
- Tang Tang Mra.
-
Muigh: De Wa (1)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Wa Ti. Nan" Ta. Mya. Ti: Lum: Hcan:
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Kui Nyui Le:
- Rwha Ca: Cin Bha. Han
Wa Ti. Nan" Ta. Mya. Ti: Lum: Hcan:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Kui Nyui Le:
- Rwha Ca: Cin Bha. Han
-
Ma. Nyui: Pan: Ei: Kan Jat Lam: (1)
- Creator
- Aung Sa. Pre Dhat Pra: Tik
- Tang Tang Lha.
- Tang Tang Mra.
Ma. Nyui: Pan: Ei: Kan Jat Lam: (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Sa. Pre Dhat Pra: Tik
- Tang Tang Lha.
- Tang Tang Mra.
-
Muigh: De Wa (3)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Lau: Bha. Mhaung Hkwang: A Raung Lang: (9)
- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
Lau: Bha. Mhaung Hkwang: A Raung Lang: (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
-
Sany chaung: he man: (ca.)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
- Kui Cau: Nyin:
Sany chaung: he man: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
- Kui Cau: Nyin:
-
Muigh: De Wa (4)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Muigh: De Wa (4)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Lau: Bha. Mhaung Hkwang: A Raung Lang: (4)
- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
Lau: Bha. Mhaung Hkwang: A Raung Lang: (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
-
Hcu. Tu: Rway (ca.)
- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
Hcu. Tu: Rway (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
-
Su Ka. Le: (ca.)
- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Canda.ya: E Wam: Hkang Maung
Su Ka. Le: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Canda.ya: E Wam: Hkang Maung
-
Muigh: De Wa (3)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Unknown
- Creator
- Unknown
Unknown
The label is illegible. This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Unknown
-
Kuiai Na: Lany Tau Matta Ta. Ra: (hcum:)
- Creator
- Hkyac Ra. Ta. Na Dhat Pra:
- Takka.suil Sin: Tui:
- Maung Maung Nuing
Kuiai Na: Lany Tau Matta Ta. Ra: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hkyac Ra. Ta. Na Dhat Pra:
- Takka.suil Sin: Tui:
- Maung Maung Nuing
-
Tang: Tim (hcum:)
- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
- Kui Wang: Nuing
Tang: Tim (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Twam Te: Sin: Tan
- Kui Wang: Nuing
-
Unknown
- Creator
- Unknown
Unknown
The adhered label is likely spurious. This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Unknown
-
Nga. Mui: Rip Jat (10)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Lak Wai: Sunda.ra. (16)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (16)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Byau:
- Creator
- Hkyac Ra. Ta. Na Dhat Pra:
- Nhai: Cha. Ra Kui Hpun:
Byau:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hkyac Ra. Ta. Na Dhat Pra:
- Nhai: Cha. Ra Kui Hpun:
-
Taung Prum: Mang: Nyi Naung (16)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (16)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Santa.ti. A Pat Jat Htup (1)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (18)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (18)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Santa.ti. A Pat Jat Htup (2)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Taung Prum: Mang: Nyi Naung (17)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (17)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Santa.ti. A Pat Jat Htup (14)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (13)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (13)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Taung Prum: Mang: Nyi Naung (13)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (13)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Lau: Bha. Mhaung Hkwang: A Raung Lang: (1)
- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
Lau: Bha. Mhaung Hkwang: A Raung Lang: (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
-
Lak Wai: Sunda.ra. (22)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (22)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Santa.ti. A Pat Jat Htup (10)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Taung Prum: Mang: Nyi Naung (6)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Taung Prum: Mang: Nyi Naung (12)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (12)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Krany Nu: Bhwai
- Creator
- Hkyac Ra. Ta. Na Dhat Pra:
- Nhai: Cha. Ra Kui Hpun:
Krany Nu: Bhwai
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hkyac Ra. Ta. Na Dhat Pra:
- Nhai: Cha. Ra Kui Hpun:
-
Santa.ti. A Pat Jat Htup (15)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (15)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (3)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Taung Prum: Mang: Nyi Naung (10)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Su Ka. Le: (hcum:)
- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Canda.ya: E Wam: Hkang Maung
Su Ka. Le: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Nuing Dhat Pra:
- Rup Rhang Mang: Sa: Wang: U:
- Canda.ya: E Wam: Hkang Maung
-
Mun: Luik Hkyang Ta (hcum:)
- Creator
- Aung Sa. Pre Dhat Pra: Tik
- Hkang Nhang: Sak
- Kui Mrat Lang:
Mun: Luik Hkyang Ta (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Sa. Pre Dhat Pra: Tik
- Hkang Nhang: Sak
- Kui Mrat Lang:
Showing 51-100 of 717 records.
Categories
Type
Subject
- Burmese (Musical group)717
- Ethnomusicology--Asia.717
- Music--Asia--Discography.
- Myanmar717
- Southeast Asia717
Creator
- Alangka Kyau Ca Re Man: Tang Maung117
- Ka.ra.wik Tam Hcip96
- Tui: Na. Ya:78
- Tuil Nuing Kumpa.ni78
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak58
- Cin Tam Hcip Dhat Pra:48
- Cu Pa Huik Kumpa.ni Limi.tak48
- Tang Tang Mra.40
- E Wa. Rak Taung Tam Hcap38
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.38
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