Records
Your search returned 78 Results
Refined by : Tui: Na. Ya: Burmese (Musical group)
- Iconographic browsing
- Results per page : 20
-
Singhkam Bhadda. Jat Htup (4)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (6)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Sa. Bha Wasmi: Prui
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Sa. Bha Wasmi: Prui
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Singhkam Bhadda. Jat Htup (5)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Ni Ni (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Ni Ni (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Su. Wanna. Syham Jat Htup (14)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Su. Wanna. Syham Jat Htup (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (13)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (13)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Ni Ni (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Ni Ni (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Singhkam Bhadda. Jat Htup (1)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (10)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (11)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (11)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Rwhe Bhum Pau Mha Cam Hkyang Su Sui. (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Mang: Su:
- Kui Aung Mrang.
Rwhe Bhum Pau Mha Cam Hkyang Su Sui. (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Mang: Su:
- Kui Aung Mrang.
-
Na Ga. Su Ja Jat Htup (9)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Na Ga. Su Ja Jat Htup (9)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Rwhe Bhum Pau Mha Cam Hkyang Su Sui. (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Mang: Su:
- Kui Aung Mrang.
Rwhe Bhum Pau Mha Cam Hkyang Su Sui. (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Mang: Su:
- Kui Aung Mrang.
-
Na Ga. Su Ja Jat Htup (12)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (12)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (6)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Hkyac Ta Pa. Dha Na. (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Tang Tang Mra.
- Mrui. Ma. Hca. Ra Ngrim:
Hkyac Ta Pa. Dha Na. (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Tang Tang Mra.
- Mrui. Ma. Hca. Ra Ngrim:
-
Na Ga. Su Ja Jat Htup (10)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Na Ga. Su Ja Jat Htup (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
-
Singhkam Bhadda. Jat Htup (11)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Singhkam Bhadda. Jat Htup (11)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.
Showing 41-60 of 78 records.
Categories
Type
Subject
- Burmese (Musical group)
- Ethnomusicology--Asia.78
- Music--Asia--Discography.78
- Myanmar78
- Southeast Asia78
Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni78
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.38
- Manta. Le: Mrui. Ma. A. Hpwai.14
- Ma Ma Ae:12
- Mrui. Ma. Hca. Ra Ngrim:8
- Kui Bhui Hkang6
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:6
- Kui Hpu: Am.4
- Hthte: Hthte: Mrang.3
More