Records
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Dum Rang: Bha. Htu: Pra. Jat (9)
- Creator
- Pau Wap Dhat Pra: Kumpa.ni
- Takka.suil Cui: Tang
- Pau Wap A Hpwai. Sa Mya
- Rwhe Du. Chan: Nywan
Dum Rang: Bha. Htu: Pra. Jat (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pau Wap Dhat Pra: Kumpa.ni
- Takka.suil Cui: Tang
- Pau Wap A Hpwai. Sa Mya
- Rwhe Du. Chan: Nywan
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Cim Lai: Tan Sa
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
Cim Lai: Tan Sa
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
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Rwhe Rui: Nhang. Hkyac Ca. Pay (ca.)
- Creator
- Na. Ga: Dhat Pra: Ku.mpa.ni
- Hkyac Ca. Pay
Rwhe Rui: Nhang. Hkyac Ca. Pay (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Na. Ga: Dhat Pra: Ku.mpa.ni
- Hkyac Ca. Pay
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Tau: A Lha. (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Mang: Su
Tau: A Lha. (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Mang: Su
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Dum Rang: Bha. Htu: Pra. Jat (10)
- Creator
- Pau Wap Dhat Pra: Kumpa.ni
- Takka.suil Cui: Tang
- Pau Wap A Hpwai. Sa Mya
- Rwhe Du. Chan: Nywan
Dum Rang: Bha. Htu: Pra. Jat (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pau Wap Dhat Pra: Kumpa.ni
- Takka.suil Cui: Tang
- Pau Wap A Hpwai. Sa Mya
- Rwhe Du. Chan: Nywan
-
Cic Kuing: Byau: (ca.)
- Creator
- Kray Nga: Pwang. Dhat Pra:
- Kui Kyau Rhin
- Cin Buil Tang.
Cic Kuing: Byau: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Kray Nga: Pwang. Dhat Pra:
- Kui Kyau Rhin
- Cin Buil Tang.
-
Cim. Kri: Mruing Kri: (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
Cim. Kri: Mruing Kri: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
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Ca. Ka: Rany Lu. Pwai: (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Kyau Rhin
- San: San: Hcang
Ca. Ka: Rany Lu. Pwai: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Kyau Rhin
- San: San: Hcang
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Nan: Tau Rhe. A. Lhwam: Pre (hcum:)
- Creator
- Na. Ga: Dhat Pra: Ku.mpa.ni
- Hkyac Ca. Pay
Nan: Tau Rhe. A. Lhwam: Pre (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Na. Ga: Dhat Pra: Ku.mpa.ni
- Hkyac Ca. Pay
-
Cim. Kri: Mruing Kri: (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
Cim. Kri: Mruing Kri: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
-
Cic Kuing: Byau: (hcum:)
- Creator
- Kray Nga: Pwang. Dhat Pra:
- Kui Kyau Rhin
- Cin Buil Tang.
Cic Kuing: Byau: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Kray Nga: Pwang. Dhat Pra:
- Kui Kyau Rhin
- Cin Buil Tang.
-
Nan: Tau Rhe. A. Lhwam: Pre (ca.)
- Creator
- Na. Ga: Dhat Pra: Ku.mpa.ni
- Hkyac Ca. Pay
Nan: Tau Rhe. A. Lhwam: Pre (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Na. Ga: Dhat Pra: Ku.mpa.ni
- Hkyac Ca. Pay
-
Cic Kuing: Byau: (hcum:)
- Creator
- Kray Nga: Pwang. Dhat Pra:
- Kui Kyau Rhin
- Cin Buil Tang.
Cic Kuing: Byau: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Kray Nga: Pwang. Dhat Pra:
- Kui Kyau Rhin
- Cin Buil Tang.
-
Ma. Ya: Limma Pu Ji. Ka Jat Htut (17)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung
Ma. Ya: Limma Pu Ji. Ka Jat Htut (17)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung
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Tau: Mruing Lam: Way (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- A Kau Di Yam Kui Aun: Kyau
Tau: Mruing Lam: Way (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- A Kau Di Yam Kui Aun: Kyau
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Nhac Pa: Swa: Mruing Hta. (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Rwhe Man: Kyau Aung
- Mang: Sami: Aung San: Tang
Nhac Pa: Swa: Mruing Hta. (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Rwhe Man: Kyau Aung
- Mang: Sami: Aung San: Tang
-
Kyaung: Tau Mha Yau Ra. Pe Mai. (Du. Ti. Ya., Ca.)
- Creator
- Kram Tuing: Aung Dhat Pra: Htut Lup Re:
- Maung Maung Nywan.
- Kui Wang: Cui:
Kyaung: Tau Mha Yau Ra. Pe Mai. (Du. Ti. Ya., Ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Kram Tuing: Aung Dhat Pra: Htut Lup Re:
- Maung Maung Nywan.
- Kui Wang: Cui:
-
Ma. Ya: Limma Pu Ji. Ka Jat Htut (15)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung
Ma. Ya: Limma Pu Ji. Ka Jat Htut (15)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung
-
Rwhe Wa Mre (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- A Kau Di Yam Kui Aun: Kyau
Rwhe Wa Mre (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- A Kau Di Yam Kui Aun: Kyau
-
Nyany Sum: Yam Hka (hcum:)
- Creator
- Dau Hkang Lha. Dhat Pra:
- Tang Tang Htwe:
Nyany Sum: Yam Hka (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Dau Hkang Lha. Dhat Pra:
- Tang Tang Htwe:
-
Hkyau. Ra. Ta Lai: A Mau: Pa Bhai: (hcum:)
- Creator
- Gi Ta. Nak San Dhat Pra:
- Maung Maung Nywan.
- Saung: Tang Hte:
Hkyau. Ra. Ta Lai: A Mau: Pa Bhai: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Gi Ta. Nak San Dhat Pra:
- Maung Maung Nywan.
- Saung: Tang Hte:
-
Mangga. La Pa (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
Mangga. La Pa (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
-
Me Dha Wi Jat Htup (5)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Rwhe Man: Kyau Aung A Hpwai.
Me Dha Wi Jat Htup (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Rwhe Man: Kyau Aung A Hpwai.
-
Kyaung: Tau Mha Yau Ra. Pe Mai. (Du. Ti. Ya., Hcum:)
- Creator
- Kram Tuing: Aung Dhat Pra: Htut Lup Re:
- Maung Maung Nywan.
- Kui Wang: Cui:
Kyaung: Tau Mha Yau Ra. Pe Mai. (Du. Ti. Ya., Hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Kram Tuing: Aung Dhat Pra: Htut Lup Re:
- Maung Maung Nywan.
- Kui Wang: Cui:
-
A Sak Ka. Le: Ngay Ngay (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Hkyui Prum:
A Sak Ka. Le: Ngay Ngay (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Hkyui Prum:
-
Me Dha Wi Jat Htup (3)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Rwhe Man: Kyau Aung A Hpwai.
Me Dha Wi Jat Htup (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Rwhe Man: Kyau Aung A Hpwai.
-
Nyany Sum: Yam Hka (hcum:)
- Creator
- Dau Hkang Lha. Dhat Pra:
- Tang Tang Htwe:
Nyany Sum: Yam Hka (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Dau Hkang Lha. Dhat Pra:
- Tang Tang Htwe:
-
Ma. Ya: Limma Pu Ji. Ka Jat Htut (9)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung
Ma. Ya: Limma Pu Ji. Ka Jat Htut (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung
-
Mangga. La Pa (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
Mangga. La Pa (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
-
Rwhe Gun Su (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- A Kau Di Yam Kui Aun: Kyau
Rwhe Gun Su (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- A Kau Di Yam Kui Aun: Kyau
-
Kyaung: Tau Mha Yau Ra. Pe Mai. (Pa. Hta. Ma., Hcum:)
- Creator
- Kram Tuing: Aung Dhat Pra: Htut Lup Re:
- Maung Maung Nywan.
- Kui Wang: Cui:
Kyaung: Tau Mha Yau Ra. Pe Mai. (Pa. Hta. Ma., Hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Kram Tuing: Aung Dhat Pra: Htut Lup Re:
- Maung Maung Nywan.
- Kui Wang: Cui:
-
Ma. Ya: Limma Pu Ji. Ka Jat Htut (6)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung
Ma. Ya: Limma Pu Ji. Ka Jat Htut (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung
-
Me Dha Wi Jat Htup (6)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Rwhe Man: Kyau Aung A Hpwai.
Me Dha Wi Jat Htup (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Rwhe Man: Kyau Aung A Hpwai.
-
Ma. Ya: Limma Pu Ji. Ka Jat Htut (1)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung
Ma. Ya: Limma Pu Ji. Ka Jat Htut (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung
-
Rwhe Gun Su (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- A Kau Di Yam Kui Aun: Kyau
Rwhe Gun Su (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- A Kau Di Yam Kui Aun: Kyau
-
Nyany Sum: Yam Hka (ca.)
- Creator
- Dau Hkang Lha. Dhat Pra:
- Tang Tang Htwe:
Nyany Sum: Yam Hka (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Dau Hkang Lha. Dhat Pra:
- Tang Tang Htwe:
-
Kyaung: Tau Mha Yau Ra. Pe Mai. (Pa. Hta. Ma., Ca.)
- Creator
- Kram Tuing: Aung Dhat Pra: Htut Lup Re:
- Maung Maung Nywan.
- Kui Wang: Cui:
Kyaung: Tau Mha Yau Ra. Pe Mai. (Pa. Hta. Ma., Ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Kram Tuing: Aung Dhat Pra: Htut Lup Re:
- Maung Maung Nywan.
- Kui Wang: Cui:
-
Ma. Ya: Limma Pu Ji. Ka Jat Htut (3)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung
Ma. Ya: Limma Pu Ji. Ka Jat Htut (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung
-
Me Dha Wi Jat Htup (2)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Rwhe Man: Kyau Aung A Hpwai.
Me Dha Wi Jat Htup (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Rwhe Man: Kyau Aung A Hpwai.
-
Lu Lu Hkyang: Kyac Kra. Ra Wai (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Aun: Kyau
Lu Lu Hkyang: Kyac Kra. Ra Wai (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Aun: Kyau
-
U Pa. Ka. - Hsa Wa Pyak Lum: (1)
- Creator
- Manta.le: Sam Cum Swang: Dhat Pra:
- U: Kray Ni
- U: Ca. Pay Rhay
- Me Mrat Mwan
U Pa. Ka. - Hsa Wa Pyak Lum: (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Manta.le: Sam Cum Swang: Dhat Pra:
- U: Kray Ni
- U: Ca. Pay Rhay
- Me Mrat Mwan
-
Ma. Ya: Limma Pu Ji. Ka Jat Htut (5)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung
Ma. Ya: Limma Pu Ji. Ka Jat Htut (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung
-
Tau: Mruing Lam: Way (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- A Kau Di Yam Kui Aun: Kyau
Tau: Mruing Lam: Way (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- A Kau Di Yam Kui Aun: Kyau
-
Me Dha Wi Jat Htup (4)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Rwhe Man: Kyau Aung A Hpwai.
Me Dha Wi Jat Htup (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Rwhe Man: Kyau Aung A Hpwai.
-
Hkyac Sau: Maung (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Lha. Lha. Ri
- Kui Htu: Aung
Hkyac Sau: Maung (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Lha. Lha. Ri
- Kui Htu: Aung
-
Ngwe Ta. Kyap Nhang. Nga. Mui: Pra. Jat (3)
- Creator
- Dau Hkang Lha. Dhat Pra:
- Pu. Lai: Cin Jat Sa. Bhang A Hpwai.
Ngwe Ta. Kyap Nhang. Nga. Mui: Pra. Jat (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Dau Hkang Lha. Dhat Pra:
- Pu. Lai: Cin Jat Sa. Bhang A Hpwai.
-
Gi Ta. Ru: (4)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Gi Ta. Ru: (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Taung Prum: Mang: Nyi Naung (3)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Lau: Bha. Mhaung Hkwang: A Raung Lang: (4)
- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
Lau: Bha. Mhaung Hkwang: A Raung Lang: (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
-
Santa.ti. A Pat Jat Htup (7)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Showing 151-200 of 717 records.
Categories
Type
Subject
- Burmese (Musical group)
- Ethnomusicology--Asia.717
- Music--Asia--Discography.717
- Myanmar717
- Southeast Asia717
Creator
- Alangka Kyau Ca Re Man: Tang Maung117
- Ka.ra.wik Tam Hcip96
- Tui: Na. Ya:78
- Tuil Nuing Kumpa.ni78
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak58
- Cin Tam Hcip Dhat Pra:48
- Cu Pa Huik Kumpa.ni Limi.tak48
- Tang Tang Mra.40
- E Wa. Rak Taung Tam Hcap38
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.38
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