Records
Your search returned 717 Results
Refined by : Audio Visual Collections Ethnomusicology--Asia.
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-
A Bhe Kri: Bhi: . . . (ca.)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
A Bhe Kri: Bhi: . . . (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
A Bhe Kri: Bhi: . . . (hcum:)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
A Bhe Kri: Bhi: . . . (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
A Hkyac Ta. Pwai: Cac Pwai: Ta. Ra (ca.)
- Creator
- Nam. Sa Dhat Pra:
- Saung: Tang Hte:
- Sin: Tan
A Hkyac Ta. Pwai: Cac Pwai: Ta. Ra (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Nam. Sa Dhat Pra:
- Saung: Tang Hte:
- Sin: Tan
-
A Hkyac Ta. Pwai: Cac Pwai: Ta. Ra (hcum:)
- Creator
- Nam. Sa Dhat Pra:
- Saung: Tang Hte:
- Sin: Tan
A Hkyac Ta. Pwai: Cac Pwai: Ta. Ra (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Nam. Sa Dhat Pra:
- Saung: Tang Hte:
- Sin: Tan
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A Langka Kyau Cwa Rwa Ca: Kri: (1)
- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
A Langka Kyau Cwa Rwa Ca: Kri: (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
-
A Langka Kyau Cwa Rwa Ca: Kri: (2)
- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
A Langka Kyau Cwa Rwa Ca: Kri: (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
-
A Langka Kyau Cwa Rwa Ca: Kri: (3)
- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
A Langka Kyau Cwa Rwa Ca: Kri: (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
-
A Langka Kyau Cwa Rwa Ca: Kri: (4)
- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
A Langka Kyau Cwa Rwa Ca: Kri: (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
-
A Langka Kyau Cwa Rwa Ca: Kri: (5)
- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
A Langka Kyau Cwa Rwa Ca: Kri: (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
-
A Langka Kyau Cwa Rwa Ca: Kri: (6)
- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
A Langka Kyau Cwa Rwa Ca: Kri: (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pa. De Sa Sam Cum Swang:
- U: Bha. Maung
- Hkyac San: Cin
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A Nya Nwe U: Ta. Hka Ne Bhu: (ca.)
- Creator
- Ae Wam: Lyhap Cac Swang:
- Me Rhang
- Ae Wam: Sam Cum.
A Nya Nwe U: Ta. Hka Ne Bhu: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ae Wam: Lyhap Cac Swang:
- Me Rhang
- Ae Wam: Sam Cum.
-
A Nya Nwe U: Ta. Hka Ne Bhu: (ca.)
- Creator
- Pai: Hku: Dhat Pra:
- Hkang Maung San: Le:
- Kui Le: Lwang
A Nya Nwe U: Ta. Hka Ne Bhu: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pai: Hku: Dhat Pra:
- Hkang Maung San: Le:
- Kui Le: Lwang
-
A Nya Nwe U: Ta. Hka Ne Bhu: (hcum:)
- Creator
- Ae Wam: Lyhap Cac Swang:
- Me Rhang
- Ae Wam: Sam Cum.
A Nya Nwe U: Ta. Hka Ne Bhu: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ae Wam: Lyhap Cac Swang:
- Me Rhang
- Ae Wam: Sam Cum.
-
A Nya Nwe U: Ta. Hka Ne Bhu: (hcum:)
- Creator
- Pai: Hku: Dhat Pra:
- Hkang Maung San: Le:
- Kui Le: Lwang
A Nya Nwe U: Ta. Hka Ne Bhu: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Pai: Hku: Dhat Pra:
- Hkang Maung San: Le:
- Kui Le: Lwang
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A Rum U: (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Mrang. Mrang. Cin
- Kui Htu: Aung
A Rum U: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Mrang. Mrang. Cin
- Kui Htu: Aung
-
A Rum U: (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Mrang. Mrang. Cin
- Kui Htu: Aung
A Rum U: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Mrang. Mrang. Cin
- Kui Htu: Aung
-
A Sak Ka. Le: Ngay Ngay (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Hkyui Prum:
A Sak Ka. Le: Ngay Ngay (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Hkyui Prum:
-
A Sak Ka. Le: Ngay Ngay (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Hkyui Prum:
A Sak Ka. Le: Ngay Ngay (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Hkyui Prum:
-
A. Bha. Tui. Rwa (ca.)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Mra. Ka. Laung
A. Bha. Tui. Rwa (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Mra. Ka. Laung
-
A. Bha. Tui. Rwa (hcum:)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Mra. Ka. Laung
A. Bha. Tui. Rwa (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Mra. Ka. Laung
Showing 1-20 of 717 records.
Categories
Type
Subject
- Burmese (Musical group)717
- Ethnomusicology--Asia.
- Music--Asia--Discography.717
- Myanmar717
- Southeast Asia717
Creator
- Alangka Kyau Ca Re Man: Tang Maung117
- Ka.ra.wik Tam Hcip96
- Tui: Na. Ya:78
- Tuil Nuing Kumpa.ni78
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak58
- Cin Tam Hcip Dhat Pra:48
- Cu Pa Huik Kumpa.ni Limi.tak48
- Tang Tang Mra.40
- E Wa. Rak Taung Tam Hcap38
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.38
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