Records
Your search returned 48 Results
Refined by : Ethnomusicology--Asia. Cu Pa Huik Kumpa.ni Limi.tak
- Iconographic browsing
- Results per page : 20
-
Ta. Wa. Gu Pr. Jat A. Puing: (8)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (7)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (6)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (5)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (4)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (4)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (3)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (3)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (2)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Ta. Wa. Gu Pr. Jat A. Puing: (1)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
Ta. Wa. Gu Pr. Jat A. Puing: (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Sang: Sang: Mau
- Kui San: Nuing
-
Swa . . . (hcum:)
- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
Swa . . . (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
-
Swa . . . (ca.)
- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
Swa . . . (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
-
Rhang Sa Ri. Putta. Ra (9)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Rhang Sa Ri. Putta. Ra (8)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Rhang Sa Ri. Putta. Ra (7)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Rhang Sa Ri. Putta. Ra (6)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Rhang Sa Ri. Putta. Ra (5)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Rhang Sa Ri. Putta. Ra (4)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Rhang Sa Ri. Putta. Ra (3)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
-
Rhang Sa Ri. Putta. Ra (2)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Rhang Sa Ri. Putta. Ra (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau
Showing 1-20 of 48 records.
Categories
Type
Subject
- Burmese (Musical group)48
- Ethnomusicology--Asia.
- Music--Asia--Discography.48
- Myanmar48
- Southeast Asia48
Creator
- Cu Pa Huik Kumpa.ni Limi.tak
- E Wa. Rak Taung Tam Hcap38
- Htwan: Rwhe12
- Cu Pa Huik Tu Ri. Ya Hpwai.10
- Ei: Wa. Rak Taung Tam Hcip10
- Kui San: Nuing10
- Kyau Hcang.10
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau10
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau10
- Sang: Sang: Mau10
More