Records
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Yui: Da. Ya: Kam Tau. Hkan: (ca.)
- Creator
- Te: We We
- Cin Mra. Rhang
- Cin Mra. Chang
Yui: Da. Ya: Kam Tau. Hkan: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Te: We We
- Cin Mra. Rhang
- Cin Mra. Chang
-
Yui: Da. Ya: Kam Tau. Hkan: (hcum:)
- Creator
- Te: We We
- Cin Mra. Rhang
- Cin Mra. Chang
Yui: Da. Ya: Kam Tau. Hkan: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Te: We We
- Cin Mra. Rhang
- Cin Mra. Chang
-
Yui Yi: (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Yui Yi: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Yui Yi: (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Yui Yi: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Yui Yi: (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Yui Yi: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Yui Yi: (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Yui Yi: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Wi. Dhu Ra. Jat (8)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (7)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (6)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (5)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (18)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (18)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (17)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (17)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (16)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (16)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (15)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (15)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (14)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (13)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (13)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (12)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (12)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (11)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (11)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wa Ti. Nan" Ta. Mya. Ti: Lum: Hcan:
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Kui Nyui Le:
- Rwha Ca: Cin Bha. Han
Wa Ti. Nan" Ta. Mya. Ti: Lum: Hcan:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Kui Nyui Le:
- Rwha Ca: Cin Bha. Han
-
Unknown
- Creator
- Unknown
Unknown
The label is illegible. This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Unknown
-
Unknown
- Creator
- Unknown
Unknown
The adhered label is likely spurious. This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Unknown
-
Unidentified
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Unidentified
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Unidentified
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Unidentified
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Unidentified
- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung
Unidentified
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Nyi Naung
- Alangka Kyau Ca Re Man: Tang Maung
- A. Langka Kyau Cwa Rwhe Man: Bhang Maung
-
U: Rham Ca: U: Din: Daung:
- Creator
- Aung Sa. Pre Dhat Pra: Tik
- Aung Sa. Pre A Hpwai.
- Mha: Tai. A. Hka Lai: Mha: Pe Ma. Pau. Jat Ka: Mha.
U: Rham Ca: U: Din: Daung:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Sa. Pre Dhat Pra: Tik
- Aung Sa. Pre A Hpwai.
- Mha: Tai. A. Hka Lai: Mha: Pe Ma. Pau. Jat Ka: Mha.
-
U Pa. Ka. - Hsa Wa Pyak Lum: (2)
- Creator
- Manta.le: Sam Cum Swang: Dhat Pra:
- U: Kray Ni
- U: Ca. Pay Rhay
- Me Mrat Mwan
U Pa. Ka. - Hsa Wa Pyak Lum: (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Manta.le: Sam Cum Swang: Dhat Pra:
- U: Kray Ni
- U: Ca. Pay Rhay
- Me Mrat Mwan
-
U Pa. Ka. - Hsa Wa Pyak Lum: (1)
- Creator
- Manta.le: Sam Cum Swang: Dhat Pra:
- U: Kray Ni
- U: Ca. Pay Rhay
- Me Mrat Mwan
U Pa. Ka. - Hsa Wa Pyak Lum: (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Manta.le: Sam Cum Swang: Dhat Pra:
- U: Kray Ni
- U: Ca. Pay Rhay
- Me Mrat Mwan
-
U Pa. Ka. - Hca Wa (hcum:)
- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Hpui: Pa Kri:
- Hkang Yu. Me
U Pa. Ka. - Hca Wa (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Hpui: Pa Kri:
- Hkang Yu. Me
-
U Pa. Ka. - Hca Wa (ca.)
- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Hpui: Pa Kri:
- Hkang Yu. Me
U Pa. Ka. - Hca Wa (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Bri. Ti. Syh Bha: Ma: Rup Rhang Dhat Pra:
- Hpui: Pa Kri:
- Hkang Yu. Me
-
U Da. Ya. Bhadda. (4)
- Creator
- U: Bhui: Cin
- Kau:lp Cin
- Sacca Hta:
U Da. Ya. Bhadda. (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- U: Bhui: Cin
- Kau:lp Cin
- Sacca Hta:
-
U Da. Ya. Bhadda. (3)
- Creator
- U: Bhui: Cin
- Kau:lp Cin
- Sacca Hta:
U Da. Ya. Bhadda. (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- U: Bhui: Cin
- Kau:lp Cin
- Sacca Hta:
-
U Da. Ya. Bhadda. (2)
- Creator
- U: Bhui: Cin
- Kau:lp Cin
- Sacca Hta:
U Da. Ya. Bhadda. (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- U: Bhui: Cin
- Kau:lp Cin
- Sacca Hta:
-
U Da. Ya. Bhadda. (1)
- Creator
- U: Bhui: Cin
- Kau:lp Cin
- Sacca Hta:
U Da. Ya. Bhadda. (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- U: Bhui: Cin
- Kau:lp Cin
- Sacca Hta:
-
Tum: Kyau (hcum:)
- Creator
- Aung Mangga. La Dhat Pra: Ku.mpa.ni
- Maung Lha Aung Ku.mpa.ni
- Mran Ma Ti: Wuing: Ti: Lum: Hcan: A Hpwai.
- Le Pa Ti
- Ma. Mra. Rang
Tum: Kyau (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Mangga. La Dhat Pra: Ku.mpa.ni
- Maung Lha Aung Ku.mpa.ni
- Mran Ma Ti: Wuing: Ti: Lum: Hcan: A Hpwai.
- Le Pa Ti
- Ma. Mra. Rang
-
Tum: Kyau (ca.)
- Creator
- Aung Mangga. La Dhat Pra: Ku.mpa.ni
- Maung Lha Aung Ku.mpa.ni
- Mran Ma Ti: Wuing: Ti: Lum: Hcan: A Hpwai.
- Le Pa Ti
- Ma. Mra. Rang
Tum: Kyau (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Mangga. La Dhat Pra: Ku.mpa.ni
- Maung Lha Aung Ku.mpa.ni
- Mran Ma Ti: Wuing: Ti: Lum: Hcan: A Hpwai.
- Le Pa Ti
- Ma. Mra. Rang
-
Tu Tu Nyi Nyi Ri Ri Prum: Prum: (hcum:)
- Creator
- Ussa Dhat Pra:
- Hkang Lat
- Krany Krany Wang:
- Canda. Ya: Hkac Hcwe
Tu Tu Nyi Nyi Ri Ri Prum: Prum: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ussa Dhat Pra:
- Hkang Lat
- Krany Krany Wang:
- Canda. Ya: Hkac Hcwe
-
Tu Tu Nyi Nyi Ri Ri Prum: Prum: (ca.)
- Creator
- Ussa Dhat Pra:
- Hkang Lat
- Krany Krany Wang:
- Canda. Ya: Hkac Hcwe
Tu Tu Nyi Nyi Ri Ri Prum: Prum: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ussa Dhat Pra:
- Hkang Lat
- Krany Krany Wang:
- Canda. Ya: Hkac Hcwe
-
Te: Lung
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
Te: Lung
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Kui Am. Kri:
-
Taung Prum: Mang: Nyi Naung (9)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Taung Prum: Mang: Nyi Naung (8)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Taung Prum: Mang: Nyi Naung (7)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Taung Prum: Mang: Nyi Naung (6)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Taung Prum: Mang: Nyi Naung (5)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Taung Prum: Mang: Nyi Naung (4)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Taung Prum: Mang: Nyi Naung (3)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Taung Prum: Mang: Nyi Naung (20)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (20)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Taung Prum: Mang: Nyi Naung (2)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Taung Prum: Mang: Nyi Naung (19)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (19)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Taung Prum: Mang: Nyi Naung (18)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (18)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Taung Prum: Mang: Nyi Naung (17)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (17)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Showing 1-50 of 717 records.
Categories
Type
Subject
- Burmese (Musical group)717
- Ethnomusicology--Asia.
- Music--Asia--Discography.717
- Myanmar717
- Southeast Asia717
Creator
- Alangka Kyau Ca Re Man: Tang Maung117
- Ka.ra.wik Tam Hcip96
- Tui: Na. Ya:78
- Tuil Nuing Kumpa.ni78
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak58
- Cin Tam Hcip Dhat Pra:48
- Cu Pa Huik Kumpa.ni Limi.tak48
- Tang Tang Mra.40
- E Wa. Rak Taung Tam Hcap38
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.38
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