Records
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Ang: le: kan sa (ca.)
- Creator
- Aung Cac Sa. Nya. Dhat Pra: Tik
- Tang Tang Mra.
- Ba. Hui Htwan: Kru
Ang: le: kan sa (ca.)
Matrix and catalog numbers are reversed here. This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Cac Sa. Nya. Dhat Pra: Tik
- Tang Tang Mra.
- Ba. Hui Htwan: Kru
-
Ang: le: kan sa (hcum:)
- Creator
- Aung Cac Sa. Nya. Dhat Pra: Tik
- Tang Tang Mra.
- Ba. Hui Htwan: Kru
Ang: le: kan sa (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Cac Sa. Nya. Dhat Pra: Tik
- Tang Tang Mra.
- Ba. Hui Htwan: Kru
-
Canda Rhang (ca.)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
- Gita. Nak San Kui Un: Lwang
Canda Rhang (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
- Gita. Nak San Kui Un: Lwang
-
Canda Rhang (hcum:)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
- Gita. Nak San Kui Un: Lwang
Canda Rhang (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
- Gita. Nak San Kui Un: Lwang
-
Dhamma.ca.kra may rwhe (1)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
Dhamma.ca.kra may rwhe (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
-
Dhamma.ca.kra may rwhe (2)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
Dhamma.ca.kra may rwhe (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
-
Dhamma.ca.kra may rwhe (3)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
Dhamma.ca.kra may rwhe (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
-
Dhamma.ca.kra may rwhe (4)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
Dhamma.ca.kra may rwhe (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (1)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (10)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Showing 1-10 of 40 records.
Categories
Type
Subject
- Burmese (Musical group)40
- Ethnomusicology--Asia.40
- Music--Asia--Discography.
- Myanmar
- Southeast Asia40
Creator
- Tang Tang Mra.
- Cu Pa Huik Kumpa.ni Limi.tak10
- Cu Pa Huik Tu Ri. Ya Hpwai.10
- E Wa. Rak Taung Tam Hcap10
- Kyau Hcang.10
- Tang Tang Htwe:10
- Aung krak sa re dhak pra: tuik8
- Rwhe Prany Ae:8
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni6
- Rwhe Mang: Sa. Mi:6
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