Records
Your search returned 78 Results
Refined by : Southeast Asia Tui: Na. Ya:
- Iconographic browsing
- Results per page : 20
-
A. Sinde Yya. (1)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
A. Sinde Yya. (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
-
A. Sinde Yya. (2)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
A. Sinde Yya. (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Hthte: Hthte: Mrang.
-
Aui: Lam Pac (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Cha. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Aui: Lam Pac (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Cha. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Aui: Lam Pac (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Cha. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Aui: Lam Pac (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Cha. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
-
E. Ra. Ka. Patta. Jat: (1)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
E. Ra. Ka. Patta. Jat: (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
-
E. Ra. Ka. Patta. Jat: (2)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
E. Ra. Ka. Patta. Jat: (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
-
E. Ra. Ka. Patta. Jat: (3)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
E. Ra. Ka. Patta. Jat: (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
-
E. Ra. Ka. Patta. Jat: (4)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
E. Ra. Ka. Patta. Jat: (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
-
E. Ra. Ka. Patta. Jat: (5)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
E. Ra. Ka. Patta. Jat: (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
-
E. Ra. Ka. Patta. Jat: (6)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
E. Ra. Ka. Patta. Jat: (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:
-
Hkyac Ta Pa. Dha Na. (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Tang Tang Mra.
- Mrui. Ma. Hca. Ra Ngrim:
Hkyac Ta Pa. Dha Na. (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Tang Tang Mra.
- Mrui. Ma. Hca. Ra Ngrim:
-
Hkyac Ta Pa. Dha Na. (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Tang Tang Mra.
- Mrui. Ma. Hca. Ra Ngrim:
Hkyac Ta Pa. Dha Na. (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Tang Tang Mra.
- Mrui. Ma. Hca. Ra Ngrim:
-
Hkyac‘ Ca. Ra Ma. Hkyam: Bhau: (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
Hkyac‘ Ca. Ra Ma. Hkyam: Bhau: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
-
Hkyac‘ Ca. Ra Ma. Hkyam: Bhau: (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
Hkyac‘ Ca. Ra Ma. Hkyam: Bhau: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
-
Kunda. La. Lung Jat Htup (11)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- A Ja Ni Nya. Krany Jat Sa. Bhang A. Hpwai.
Kunda. La. Lung Jat Htup (11)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- A Ja Ni Nya. Krany Jat Sa. Bhang A. Hpwai.
-
Kunda. La. Lung Jat Htup (12)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- A Ja Ni Nya. Krany Jat Sa. Bhang A. Hpwai.
Kunda. La. Lung Jat Htup (12)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- A Ja Ni Nya. Krany Jat Sa. Bhang A. Hpwai.
-
Lak Re Sa. Prang Ci: (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Nan: Bhau Rhe. Cha. Ra Tang
- Manta. Le: Mrui. Ma. A. Hpwai.
Lak Re Sa. Prang Ci: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Nan: Bhau Rhe. Cha. Ra Tang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Lak Re Sa. Prang Ci: (hcum:)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Nan: Bhau Rhe. Cha. Ra Tang
- Manta. Le: Mrui. Ma. A. Hpwai.
Lak Re Sa. Prang Ci: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Kui Hpu: Am.
- Nan: Bhau Rhe. Cha. Ra Tang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Lha. Umma
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
Lha. Umma
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Nywan. Wang:
- Kui Bhui Hkang
- Manta. Le: Mrui. Ma. A. Hpwai.
-
Lu Hkywan Lu Kaung: (ca.)
- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Lu Hkywan Lu Kaung: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni
- Ma Ma Ae:
- Mrui. Ma. Hca. Ra Ngrim:
- Manta. Le: Mrui. Ma. A. Hpwai.
Showing 1-20 of 78 records.
Categories
Type
Subject
- Burmese (Musical group)78
- Ethnomusicology--Asia.78
- Music--Asia--Discography.78
- Myanmar78
- Southeast Asia
Creator
- Tui: Na. Ya:
- Tuil Nuing Kumpa.ni78
- Rwhe Man: Pan Krany Lang Jat A. Hpwai.38
- Manta. Le: Mrui. Ma. A. Hpwai.14
- Ma Ma Ae:12
- Mrui. Ma. Hca. Ra Ngrim:8
- Kui Bhui Hkang6
- Nuing Ngam Kyau Hkwe Ka. Ti. Ka. U: Lha. Sin:6
- Kui Hpu: Am.4
- Hthte: Hthte: Mrang.3
More