Records
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Refined by : Myanmar Cu Pa Huik Kumpa.ni Limi.tak
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-
A. Bha. Tui. Rwa (ca.)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Mra. Ka. Laung
A. Bha. Tui. Rwa (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Mra. Ka. Laung
-
A. Bha. Tui. Rwa (hcum:)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Mra. Ka. Laung
A. Bha. Tui. Rwa (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Htwan: Rwhe
- Mra. Ka. Laung
-
Ca. Hkam: Sa (hcum:)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Mrang. Mrang. Hkang
- Ae Wam: Krany Ae A. Hpwai.
Ca. Hkam: Sa (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Mrang. Mrang. Hkang
- Ae Wam: Krany Ae A. Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (1)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (10)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (2)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (3)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (4)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (5)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (6)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (7)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (8)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkaung: Laung: Htui: Sam Bhai Su. Kam (9)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
Hkaung: Laung: Htui: Sam Bhai Su. Kam (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Kyau Hcang.
- Tang Tang Htwe:
- Tang Tang Mra.
- Cu Pa Huik Tu Ri. Ya Hpwai.
-
Hkyac Mrui . . . (ca.)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Takka. Suil Myui: Khyac
- Ae Wam: Krany Ae A. Hpwai.
Hkyac Mrui . . . (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Takka. Suil Myui: Khyac
- Ae Wam: Krany Ae A. Hpwai.
-
Krany Nu: Bhay Na. Rany: (ca.)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Sin Buil Tang. Hcuing: A. Hpwai.
Krany Nu: Bhay Na. Rany: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Sin Buil Tang. Hcuing: A. Hpwai.
-
Krany Nu: Bhay Na. Rany: (hcum:)
- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Sin Buil Tang. Hcuing: A. Hpwai.
Krany Nu: Bhay Na. Rany: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- E Wa. Rak Taung Tam Hcap
- Cu Pa Huik Kumpa.ni Limi.tak
- Sin Buil Tang. Hcuing: A. Hpwai.
-
Ma. Ha Nandi. Ya. Myauk Mang: Jat (10)
- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
Ma. Ha Nandi. Ya. Myauk Mang: Jat (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
-
Ma. Ha Nandi. Ya. Myauk Mang: Jat (3)
- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
Ma. Ha Nandi. Ya. Myauk Mang: Jat (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
-
Ma. Ha Nandi. Ya. Myauk Mang: Jat (4)
- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
Ma. Ha Nandi. Ya. Myauk Mang: Jat (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
-
Ma. Ha Nandi. Ya. Myauk Mang: Jat (5)
- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
Ma. Ha Nandi. Ya. Myauk Mang: Jat (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ei: Wa. Rak Taung Tam Hcip
- Cu Pa Huik Kumpa.ni Limi.tak
- Rwhe Bhui Tang Maung
- Rwhe Bhui Mra.
Showing 1-20 of 48 records.
Categories
Type
Subject
- Burmese (Musical group)48
- Ethnomusicology--Asia.48
- Music--Asia--Discography.48
- Myanmar
- Southeast Asia48
Creator
- Cu Pa Huik Kumpa.ni Limi.tak
- E Wa. Rak Taung Tam Hcap38
- Htwan: Rwhe12
- Cu Pa Huik Tu Ri. Ya Hpwai.10
- Ei: Wa. Rak Taung Tam Hcip10
- Kui San: Nuing10
- Kyau Hcang.10
- Kyuik Wuing: U: I.nda. Ka. Hca. Ra Tau10
- Pa. Ri. Nibban Cam Hkan: Ta. Ra: Tau10
- Sang: Sang: Mau10
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