Records
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Nga. Mui: Rip Jat (15)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (15)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Taung Prum: Mang: Nyi Naung (5)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Santa.ti. A Pat Jat Htup (6)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (14)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Nga. Mui: Rip Jat (2)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Taung Prum: Mang: Nyi Naung (19)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (19)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Santa.ti. A Pat Jat Htup (3)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (20)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (20)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Nga. Mui: Rip Jat (14)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Taung Prum: Mang: Nyi Naung (7)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Santa.ti. A Pat Jat Htup (12)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (12)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (2)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Santa.ti. A Pat Jat Htup (4)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (7)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Taung Prum: Mang: Nyi Naung (18)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (18)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Santa.ti. A Pat Jat Htup (20)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (20)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Unidentified
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Unidentified
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (24)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (24)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Nga. Mui: Rip Jat (19)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (19)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Lak Wai: Sunda.ra. (17)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (17)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Showing 1-20 of 13602 records.
Categories
- Appalachian Collections5947
- Radford University Archives4366
- Special Collections1717
- Audio Visual Collections1572
Type
- film negative2565
- Text1284
- glass slide1245
- Newspaper1053
- positive slide902
- digital image809
- 78rpm record717
- tiff scanned file from original glass slide543
- text and audio454
- image282
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Subject
- Photography-- Virginia2561
- Radford University2148
- Portraits1855
- Photography--West Virginia1068
- Student newspapers and periodicals.1053
- Appalachia737
- Burmese (Musical group)717
- Ethnomusicology--Asia.717
- Music--Asia--Discography.717
- Myanmar717
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Creator
- Farmer, Kenneth Rudolph2565
- Farmer, Theda2565
- Radford University2088
- Trevey, William O.1159
- Radford College1112
- Radford State Normal School for Women1110
- Radford University; Radford College788
- Radford University. McConnell Library. Archives & Special Collections.677
- Blizzard, William C., 1949-2008606
- Brainard, Blair, 1942-402
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Date
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Coverage - Temporal
- 1945-19952563
- 1895-19251159
- ca. 1920-1962697
- 2016615
- 1979610
- c. 1940s268
- 1967199
- c. 1930s169
- 1913-1976143
- 2013136
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