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Nga. Mui: Rip Jat (15)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (15)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Taung Prum: Mang: Nyi Naung (5)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Santa.ti. A Pat Jat Htup (6)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (14)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Nga. Mui: Rip Jat (2)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Taung Prum: Mang: Nyi Naung (19)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (19)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Santa.ti. A Pat Jat Htup (3)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (20)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (20)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Nga. Mui: Rip Jat (14)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Taung Prum: Mang: Nyi Naung (7)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Santa.ti. A Pat Jat Htup (12)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (12)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (2)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Santa.ti. A Pat Jat Htup (4)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (7)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Taung Prum: Mang: Nyi Naung (18)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (18)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Santa.ti. A Pat Jat Htup (20)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (20)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Unidentified
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Unidentified
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (24)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (24)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Nga. Mui: Rip Jat (19)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (19)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Lak Wai: Sunda.ra. (17)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (17)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Gi Ta. Ru: (7)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Gi Ta. Ru: (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Lak Wai: Sunda.ra. (11)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (11)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lau: Bha. Mhaung Hkwang: A Raung Lang: (8)
- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
Lau: Bha. Mhaung Hkwang: A Raung Lang: (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
-
Santa.ti. A Pat Jat Htup (11)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (11)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Gi Ta. Ru: (2)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Gi Ta. Ru: (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Gi Ta. Ru: (8)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Gi Ta. Ru: (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Santa.ti. A Pat Jat Htup (13)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (13)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (21)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (21)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Nga. Mui: Rip Jat (7)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Gi Ta. Ru: (3)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Gi Ta. Ru: (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Santa.ti. A Pat Jat Htup (5)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Santa.ti. A Pat Jat Htup (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (4)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Taung Prum: Mang: Nyi Naung (4)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (4)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Lau: Bha. Mhaung Hkwang: A Raung Lang: (7)
- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
Lau: Bha. Mhaung Hkwang: A Raung Lang: (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
-
Gi Ta. Ru: (1)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Gi Ta. Ru: (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
A Bhe Kri: Bhi: . . . (ca.)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
A Bhe Kri: Bhi: . . . (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Taung Prum: Mang: Nyi Naung (2)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Lak Wai: Sunda.ra. (10)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (10)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lau: Bha. Mhaung Hkwang: A Raung Lang: (3)
- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
Lau: Bha. Mhaung Hkwang: A Raung Lang: (3)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang:
-
Gi Ta. Ru: (5)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Gi Ta. Ru: (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Taung Prum: Mang: Nyi Naung (15)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
Taung Prum: Mang: Nyi Naung (15)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
- Rwhe Man: Tang Maung Jat A Pwai:
-
Lak Wai: Sunda.ra. (9)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (9)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Lak Wai: Sunda.ra. (6)
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Lak Wai: Sunda.ra. (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Ngwe Wan: Sau Da (ca.)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
- Kui Cau: Nyin:
Ngwe Wan: Sau Da (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Maung Maung Nywan.
- Kui Cau: Nyin:
-
Canda Rhang (hcum:)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
- Gita. Nak San Kui Un: Lwang
Canda Rhang (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
- Gita. Nak San Kui Un: Lwang
-
Nga. Mui: Rip Jat (1)
- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
Nga. Mui: Rip Jat (1)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Cin Tam Hcip Dhat Pra:
- Wanna. Kyau Htang Cin Aung Mang: Sa. Bhang A Hpai.
-
Muigh: De Wa (2)
- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
Muigh: De Wa (2)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung krak sa re dhak pra: tuik
- Rwhe Prany Ae:
- Tang Tang Mra.
-
Mwe: Lwan: Sany. Pan: (hcum:)
- Creator
- Aung kui kui te: sam cum
- Canda.ya: Hkyac Hcwe
- Gi Ta. Lung Maung Kui Kui
- Rup Rhang Jat Ka: Mha.
Mwe: Lwan: Sany. Pan: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung kui kui te: sam cum
- Canda.ya: Hkyac Hcwe
- Gi Ta. Lung Maung Kui Kui
- Rup Rhang Jat Ka: Mha.
-
Canda Rhang (ca.)
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
- Gita. Nak San Kui Un: Lwang
Canda Rhang (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Tang Tang Mra.
- Gita. Nak San Kui Un: Lwang
-
Hci Mi: Ta. Tuing Pan: Ta. Hkuing (hcum:)
- Creator
- Aung Cac Sa. Nya. Dhat Pra: Tik
- Hangsa Ta. Twan: Rang
- Kui Wang: Cui:
Hci Mi: Ta. Tuing Pan: Ta. Hkuing (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Aung Cac Sa. Nya. Dhat Pra: Tik
- Hangsa Ta. Twan: Rang
- Kui Wang: Cui:
Showing 1-50 of 13602 records.
Categories
- Appalachian Collections5947
- Radford University Archives4366
- Special Collections1717
- Audio Visual Collections1572
Type
- film negative2565
- Text1284
- glass slide1245
- Newspaper1053
- positive slide902
- digital image809
- 78rpm record717
- tiff scanned file from original glass slide543
- text and audio454
- image282
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Subject
- Photography-- Virginia2561
- Radford University2148
- Portraits1855
- Photography--West Virginia1068
- Student newspapers and periodicals.1053
- Appalachia737
- Burmese (Musical group)717
- Ethnomusicology--Asia.717
- Music--Asia--Discography.717
- Myanmar717
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Creator
- Farmer, Kenneth Rudolph2565
- Farmer, Theda2565
- Radford University2088
- Trevey, William O.1159
- Radford College1112
- Radford State Normal School for Women1110
- Radford University; Radford College788
- Radford University. McConnell Library. Archives & Special Collections.677
- Blizzard, William C., 1949-2008606
- Brainard, Blair, 1942-402
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Date
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Coverage - Temporal
- 1945-19952563
- 1895-19251159
- ca. 1920-1962697
- 2016615
- 1979610
- c. 1940s268
- 1967199
- c. 1930s169
- 1913-1976143
- 2013136
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