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Yui: Da. Ya: Kam Tau. Hkan: (ca.)
- Creator
- Te: We We
- Cin Mra. Rhang
- Cin Mra. Chang
Yui: Da. Ya: Kam Tau. Hkan: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Te: We We
- Cin Mra. Rhang
- Cin Mra. Chang
-
Yui: Da. Ya: Kam Tau. Hkan: (hcum:)
- Creator
- Te: We We
- Cin Mra. Rhang
- Cin Mra. Chang
Yui: Da. Ya: Kam Tau. Hkan: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Te: We We
- Cin Mra. Rhang
- Cin Mra. Chang
-
Yui Yi: (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Yui Yi: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Yui Yi: (hcum:)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Yui Yi: (hcum:)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Yui Yi: (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Yui Yi: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
-
Yui Yi: (ca.)
- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
Yui Yi: (ca.)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak
- Krany Krany Wang:
- A. Langka Kyau Cwa Rwhe Prany Ae:
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Women's March on Washington-Jen Carroll
- Creator
- Bennett, Bud
- Carroll, Jen
Women's March on Washington-Jen Carroll
On January 21, 2017, hundreds of thousands of people marched in support of women's rights, women's health issues, immigrant rights, LGBT rights and other issues. These marches were held in Washington DC, Los Angeles, Atlanta, New York and many other places, including Antarctica, London, Australia, Germany and other countries. The Archives and Special Collections unit of Radford University's McConnell Library is conducting interviews of participants of various marches to help preserve the history, the ideas and impressions of those marchers. On February 8, 2017 Jen Carroll talked to us about her march experience, described the crowds, her perceptions of why the march happened when and where it did, and what she hopes will change in the future. This video has many photographs and a few supplemental video clips from the march. An HD version of this video is available for viewing on our Archives Vimeo account: https://vimeo.com/206486344- Creator
- Bennett, Bud
- Carroll, Jen
-
Women's March on Washington- Tom and Lisa Hammett
- Creator
- Hammett, Tom
- Hammett, Lisa
- Bennett, Bud
Women's March on Washington- Tom and Lisa Hammett
On January 21, 2017, hundreds of thousands of people marched in support of women's rights, women's health issues, immigrant rights, LGBT rights and other issues. These marches were held in Washington DC, Los Angeles, Atlanta, New York and many other places, including Antarctica, London, Australia, Germany and other countries. The Archives and Special Collections unit of Radford University's McConnell Library is conducting interviews of participants of various marches to help preserve the history, the ideas and impressions of those marchers. On February 4, 2017 Tom and Lisa Hammett sat with us and talked about participating in the Washington DC march, education, family, and participating in other marches during their lifetimes.- Creator
- Hammett, Tom
- Hammett, Lisa
- Bennett, Bud
-
Women's March on Washington- Theresa Burris
- Creator
- Bennett, Bud
- Burris, Theresa
Women's March on Washington- Theresa Burris
On January 21, 2017, hundreds of thousands of people marched in support of women's rights, women's health issues, immigrant rights, LGBT rights and other issues. These marches were held in Washington DC, Los Angeles, Atlanta, New York and many other places, including Antarctica, London, Australia, Germany and other countries. The Archives and Special Collections unit of Radford University's McConnell Library is conducting interviews of participants of various marches to help preserve the history, the ideas and impressions of those marchers. On February 2, 2017 Theresa Burris came to our Archives office and talked about her march experience, her previous marches, her thoughts on the future and more. An HD version of this interview is available on our Archives Vimeo page- https://vimeo.com/219906722- Creator
- Bennett, Bud
- Burris, Theresa
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Women's March on Washington- Simone Poirer-Bures
- Creator
- Poirer-Bures, Simone
- Bennett, Bud, 1963-
Women's March on Washington- Simone Poirer-Bures
On January 21, 2017, hundreds of thousands of people marched in support of women's rights, women's health issues, immigrant rights, LGBT rights and other issues. These marches were held in Washington DC, Los Angeles, Atlanta, New York and many other places, including Antarctica, London, Australia, Germany and other countries. The Archives and Special Collections unit of Radford University's McConnell Library is conducting interviews of participants of various marches to help preserve the history, the ideas and impressions of those marchers. Simone Poirier-Bures was interviewed at about the one year anniversary of the march to give a different perspective on the march, the expectations of results and a feeling of the general mood of the country since then.- Creator
- Poirer-Bures, Simone
- Bennett, Bud, 1963-
-
Women's March on Washington- Shayna Gutcho
- Creator
- Bennett, Bud
- Gutcho, Shayna
Women's March on Washington- Shayna Gutcho
On January 21, 2017, hundreds of thousands of people marched in support of women's rights, women's health issues, immigrant rights, LGBT rights and other issues. These marches were held in Washington DC, Los Angeles, Atlanta, New York and many other places, including Antarctica, London, Australia, Germany and other countries. The Archives and Special Collections unit of Radford University's McConnell Library is conducting interviews of participants of various marches to help preserve the history, the ideas and impressions of those marchers. On February 2, 2017 Shayna Gutcho- Washington DC marcher- came to our Archives office and spoke to us about her experiences in the march, her ideas about why the march happened her hopes for the future and more.- Creator
- Bennett, Bud
- Gutcho, Shayna
-
Women's March on Washington- Mick Stewart
- Creator
- Stewart, Mick
- Bennett, Bud, 1963-
Women's March on Washington- Mick Stewart
On January 21, 2017, hundreds of thousands of people marched in support of women's rights, women's health issues, immigrant rights, LGBT rights and other issues. These marches were held in Washington DC, Los Angeles, Atlanta, New York and many other places, including Antarctica, London, Australia, Germany and other countries. The Archives and Special Collections unit of Radford University's McConnell Library is conducting interviews of participants of various marches to help preserve the history, the ideas and impressions of those marchers. Mick Stewart was interviewed at about the one year anniversary of the march to give a different perspective on the march, the expectations of results and a feeling of the general mood of the country since then.- Creator
- Stewart, Mick
- Bennett, Bud, 1963-
-
Women's March on Washington- Lee Stewart
- Creator
- Stewart, Lee
- Bennett, Bud, 1963-
Women's March on Washington- Lee Stewart
On January 21, 2017, hundreds of thousands of people marched in support of women's rights, women's health issues, immigrant rights, LGBT rights and other issues. These marches were held in Washington DC, Los Angeles, Atlanta, New York and many other places, including Antarctica, London, Australia, Germany and other countries. The Archives and Special Collections unit of Radford University's McConnell Library is conducting interviews of participants of various marches to help preserve the history, the ideas and impressions of those marchers. Lee Stewart was interviewed at about the one year anniversary of the march to give a different perspective on the march, the expectations of results and a feeling of the general mood of the country since then. She also spoke about her experience in the fields of education and counseling.- Creator
- Stewart, Lee
- Bennett, Bud, 1963-
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Women's March on Washington- Kierra Landrum- DC March
- Creator
- Bennett, Bud
- Landrum, Kierra
Women's March on Washington- Kierra Landrum- DC March
On January 21, 2017, hundreds of thousands of people marched in support of women's rights, women's health issues, immigrant rights, LGBT rights and other issues. These marches were held in Washington DC, Los Angeles, Atlanta, New York and many other places, including Antarctica, London, Australia, Germany and other countries. The Archives and Special Collections unit of Radford University's McConnell Library is conducting interviews of participants of various marches to help preserve the history, the ideas and impressions of those marchers. On January 31, 2017 Kierra Landrum, who participated in the Washington DC march talked to us, among other things, about her march, other marches she has participated in, and her thoughts about the future. A high definition version of this video is viewable from the Archives and Special Collections video collection on Vimeo- https://vimeo.com/205128621- Creator
- Bennett, Bud
- Landrum, Kierra
-
Women's March on Washington- Jeanne Roper
- Creator
- Bennett, Bud
- Roper, Jeanne
Women's March on Washington- Jeanne Roper
On January 21, 2017, hundreds of thousands of people marched in support of women's rights, women's health issues, immigrant rights, LGBT rights and other issues. These marches were held in Washington DC, Los Angeles, Atlanta, New York and many other places, including Antarctica, London, Australia, Germany and other countries. The Archives and Special Collections unit of Radford University's McConnell Library is conducting interviews of participants of various marches to help preserve the history, the ideas and impressions of those marchers. On February 4, 2017 Jeanne Roper spoke to us about her march experience, her thoughts on this march as compared other marches she has been in over the last 50 years, her perceptions of the mood of the crowd and her advice for present and future students. Jeanne's perspective on all of this is fascinating and that paired with her years of experience as an educator make this short interview a fascinating one. An HD version of this interview is available on our Archives Vimeo page: https://vimeo.com/220791382- Creator
- Bennett, Bud
- Roper, Jeanne
-
Women's March on Washington- Gabriel Bennett
- Creator
- Bennett, Bud
- Bennett, Gabriel
Women's March on Washington- Gabriel Bennett
On January 21, 2017, hundreds of thousands of people marched in support of women's rights, women's health issues, immigrant rights, LGBT rights and other issues. These marches were held in Washington DC, Los Angeles, Atlanta, New York and many other places, including Antarctica, London, Australia, Germany and other countries. The Archives and Special Collections unit of Radford University's McConnell Library is conducting interviews of participants of various marches to help preserve the history, the ideas and impressions of those marchers. Gabriel Bennett attended the march in DC and came to our archives office to talk about the march, his observations at a Trump campaign rally held on the Radford University campus, his ideas about the Constitution, his thoughts on feminism, and much more. An HD version of this video is available for viewing on our Archives Vimeo account at: https://vimeo.com/205461040- Creator
- Bennett, Bud
- Bennett, Gabriel
-
Women’s March on Washington- Djuna Osborne (Roanoke, Virginia Sister March)
- Creator
- Bennett, Bud
- Osborne, Djuna
Women’s March on Washington- Djuna Osborne (Roanoke, Virginia Sister March)
On January 21, 2017 hundreds of thousands of people gathered in the United States and in various places internationally to march for women's rights, women's reproductive health issues, LGBT rights, immigrant rights and more. The main march was in Washington DC, and the other marches have been dubbed "Sister Marches". Djuna Osborne was one of two organizers who created the Roanoke, Virginia Sister March and she talked to us about her reasoning for starting the march, how the march inspired her to run for public office, and her views on many associated topics. An HD version of this video is available on our Archives Vimeo page: https://vimeo.com/222562837- Creator
- Bennett, Bud
- Osborne, Djuna
-
Women's March on Washington- D'Avianna Love (Roanoke, Virginia Sister March)
- Creator
- Bennett, Bud
- Love, D'Avianna
Women's March on Washington- D'Avianna Love (Roanoke, Virginia Sister March)
On January 21, 2017 hundreds of thousands of people gathered in the United States and in various places internationally to march for women's rights, women's reproductive health issues, LGBT rights, immigrant rights and more. The main march was in Washington DC, and the other marches have been dubbed "Sister Marches". D'Avianna Love marched in the Roanoke, Virginia Sister March and came to talk to us about the march, her ideas about protest, her hopes for the future, and much more.- Creator
- Bennett, Bud
- Love, D'Avianna
-
Women's March on Washington- Beth Kelsey- DC March
- Creator
- Bennett, Bud
- Kelsey, Beth
Women's March on Washington- Beth Kelsey- DC March
On January 21, 2017, hundreds of thousands of people marched in support of women's rights, women's health issues, immigrant rights, LGBT rights and other issues. These marches were held in Washington DC, Los Angeles, Atlanta, New York and many other places, including Antarctica, London, Australia, Germany and other countries. The Archives and Special Collections unit of Radford University's McConnell Library is conducting interviews of participants of various marches to help preserve the history, the ideas and impressions of those marchers. On February 6, 2017 Beth Kelsey- Washington DC marcher- sat down and told the details about the march, both figuratively and literally. She talked about why she marched, what she hopes will come from the march, addresses concerns of those opposed to the march and summed up her experience very succinctly at the end. This interview is illustrated with many photographs and a few video clips from the march. A high definition version of this video is viewable from the Archives and Special Collections video collection on Vimeo- https://vimeo.com/204252639- Creator
- Bennett, Bud
- Kelsey, Beth
-
Women's March on Washington- Ann Stith and Katherine Chambless
- Creator
- Bennett, Bud
- Stith, Ann
- Chambless, Katherine
Women's March on Washington- Ann Stith and Katherine Chambless
On January 21, 2017, hundreds of thousands of people marched in support of women's rights, women's health issues, immigrant rights, LGBT rights and other issues. These marches were held in Washington DC, Los Angeles, Atlanta, New York and many other places, including Antarctica, London, Australia, Germany and other countries. The Archives and Special Collections unit of Radford University's McConnell Library is conducting interviews of participants of various marches to help preserve the history, the ideas and impressions of those marchers. On February 4, 2017 Ann Stith and Katherine Chambless talked to us about their march experience. The two friends used this time to reflect on the march, compare memories, laugh, and provide a unique perspective of the day and their hopes for the future. An HD version of this interview is available on our Archives Vimeo page: https://vimeo.com/221750159- Creator
- Bennett, Bud
- Stith, Ann
- Chambless, Katherine
-
Women's March on Washington- Anja Whittington
- Creator
- Bennett, Bud
- Whittington, Anja
Women's March on Washington- Anja Whittington
On January 21, 2017, hundreds of thousands of people marched in support of women's rights, women's health issues, immigrant rights, LGBT rights and other issues. These marches were held in Washington DC, Los Angeles, Atlanta, New York and many other places, including Antarctica, London, Australia, Germany and other countries. The Archives and Special Collections unit of Radford University's McConnell Library is conducting interviews of participants of various marches to help preserve the history, the ideas and impressions of those marchers. On February 1, 2017 Anja Whittington came to our Archives offices and talked about her experiences at the Washington DC Women's March. An HD version of this video can be found on the Archives Vimeo account: https://vimeo.com/213711529- Creator
- Bennett, Bud
- Whittington, Anja
-
Women's March on Washington- Alison Armstrong- Atlanta, Georgia Sister March
- Creator
- Bennett, Bud
- Armstrong, Alison
Women's March on Washington- Alison Armstrong- Atlanta, Georgia Sister March
On January 21, 2017, hundreds of thousands of people marched in support of women's rights, women's health issues, immigrant rights, LGBT rights and other issues. These marches were held in Washington DC, Los Angeles, Atlanta, New York and many other places, including Antarctica, London, Australia, Germany and other countries. The Archives and Special Collections unit of Radford University's McConnell Library is conducting interviews of participants of various marches to help preserve the history, the ideas and impressions of those marchers. On February 2, 2017 Alison Armstrong came to our Archives office and talked about her march experience, her previous marches, her thoughts on the future and more. An HD version of this interview is available on our Archives Vimeo page- https://vimeo.com/220377029- Creator
- Bennett, Bud
- Armstrong, Alison
-
Women's March on Washington Video Preview
- Creator
- Bennett, Bud
Women's March on Washington Video Preview
The Archives and Special Collections department of McConnell Library is conducting video interviews of participants of the women's marches that took place January 21, 2017. This video serves as a short preview of those interviews. If you marched and would like to be interviewed, please contact us, we would love to talk to you.- Creator
- Bennett, Bud
-
Women's March on Washington Sister March- Regan Chancellor- Roanoke, Virginia March
- Creator
- Bennett, Bud
- Chancellor, Regan
Women's March on Washington Sister March- Regan Chancellor- Roanoke, Virginia March
On January 21, 2017 hundreds of thousands of people gathered in the United States and in various places internationally to march for women's rights, women's reproductive health issues, LGBT rights, immigrant rights and more. The main march was in Washington DC, and the other marches have been dubbed "Sister Marches". Regan Chancellor was a participant in the Roanoke, Virginia Sister March. In this video she tells us the story of her march, her reasons for marching and her hopes for the future. A high definition version of this video is viewable from the Archives and Special Collections video collection on Vimeo- https://vimeo.com/204600495- Creator
- Bennett, Bud
- Chancellor, Regan
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Women's Artvance....An Evening of Events Panel Discussion.
- Creator
- Gillespie, Dorothy
- Castanis, Muriel
- Gillan, Ann
- Krieger, Geraldine
Women's Artvance....An Evening of Events Panel Discussion.
This recording is a panel discussion between four professional artists who participated in Women's Artvance....An Evening of Events in New York City, April 8, either 1973 or 1974. Participating in this discussion are Dorothy Gillespie, Muriel Castanis (1926-2006) an American sculptor, Ann Gillan, and Geraldine Krieger a painter. The evening was an event sponsored by an organization called Women in the Arts and the graduate students club of New York University.- Creator
- Gillespie, Dorothy
- Castanis, Muriel
- Gillan, Ann
- Krieger, Geraldine
-
Women Artists 1975, Positions in Museums, History and Criticism Panel Discussion Moderated by Lila Katzen. May 6, 1975 Part 2
- Creator
- Katzen, Lila
- Flack, Audrey
- Drexler, Rosalyn
- Delehanty, Suzanne
- Hutchinson, Max
- Lippard, Lucy
- Acconci, Vito
Women Artists 1975, Positions in Museums, History and Criticism Panel Discussion Moderated by Lila Katzen. May 6, 1975 Part 2
May 5-15, 1975 New York University's Loeb Student Center's art committee joined with the Fine Arts Museum of the Women's Interart Center in presenting a series of special events to salute 1975 Women and Art. Vito Acconci (1940-2017), an American performance, video, and installation artist; Lucy Lippard (1937-), an American writer, art critic, acticist, and curator; Max Hutchinson art dealer and gallery owner; Suzanne Delehanty (1944-) curator, consultant, and museum director; Rosalyn Drexler (1926-), an American visual artist, novelist, playwrite, and screenwriter; Audrey Flack (1931-) an American artist working in photorealism. In this recording, a panel discussion among the group was moderated by Ms. Katzen at a Women's Interart Center event.- Creator
- Katzen, Lila
- Flack, Audrey
- Drexler, Rosalyn
- Delehanty, Suzanne
- Hutchinson, Max
- Lippard, Lucy
- Acconci, Vito
-
Women Artists 1975, Positions in Museums, History and Criticism Panel Discussion Moderated by Lila Katzen. May 6, 1975 Part 1
- Creator
- Katzen, Lila
- Flack, Audrey
- Drexler, Rosalyn
- Delehanty, Suzanne
- Hutchinson, Max
- Lippard, Lucy
- Acconci, Vito
Women Artists 1975, Positions in Museums, History and Criticism Panel Discussion Moderated by Lila Katzen. May 6, 1975 Part 1
May 5-15, 1975 New York University's Loeb Student Center's art committee joined with the Fine Arts Museum of the Women's Interart Center in presenting a series of special events to salute 1975 Women and Art. Vito Acconci (1940-2017), an American performance, video, and installation artist; Lucy Lippard (1937-), an American writer, art critic, acticist, and curator; Max Hutchinson art dealer and gallery owner; Suzanne Delehanty (1944-) curator, consultant, and museum director; Rosalyn Drexler (1926-), an American visual artist, novelist, playwrite, and screenwriter; Audrey Flack (1931-) an American artist working in photorealism. In this recording, a panel discussion among the group was moderated by Ms. Katzen at a Women's Interart Center event.- Creator
- Katzen, Lila
- Flack, Audrey
- Drexler, Rosalyn
- Delehanty, Suzanne
- Hutchinson, Max
- Lippard, Lucy
- Acconci, Vito
-
Wilma Dykeman Prose Reading (1983)
- Creator
- Lanier, Parks
- Edwards, Grace Toney
- Dykeman, Wilma
Wilma Dykeman Prose Reading (1983)
Public reading by Wilma Dykeman, one of the featured authors from the 6th Highland Summer Conference held on the campus of Radford University in the summer of 1983. The Highland Summer Conference is held yearly and consists of classes, readings and personal interaction with featured Appalachian authors.- Creator
- Lanier, Parks
- Edwards, Grace Toney
- Dykeman, Wilma
-
Wi. Dhu Ra. Jat (8)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (8)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (7)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (7)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (6)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (6)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (5)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (5)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (18)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (18)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (17)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (17)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (16)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (16)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (15)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (15)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (14)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (14)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (13)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (13)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (12)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (12)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wi. Dhu Ra. Jat (11)
- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
Wi. Dhu Ra. Jat (11)
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Prany Su. Re Di Yui Lyhap Cac Sam Cum Swang:
- Mang: Sa: Aung Mrang. Cin Jat A. Hpwai.
-
Wa Ti. Nan" Ta. Mya. Ti: Lum: Hcan:
- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Kui Nyui Le:
- Rwha Ca: Cin Bha. Han
Wa Ti. Nan" Ta. Mya. Ti: Lum: Hcan:
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Rwhe Mang: Sa. Mi:
- Aung Kyaau Nywan. Dhat Pra: Ku.mpa.ni
- Kui Nyui Le:
- Rwha Ca: Cin Bha. Han
-
Unknown
- Creator
- Unknown
Unknown
The label is illegible. This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Unknown
-
Unknown
- Creator
- Unknown
Unknown
The adhered label is likely spurious. This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Unknown
-
Unidentified
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Unidentified
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
-
Unidentified
- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Unidentified
This thematic digital collection represents the continuation of large-scale preservation through digitization of recorded music in Burma/Myanmar. The purpose is to safeguard the earliest but endangered recorded musical traditions of Burma, and to offer an open access avenue through which contemporary Myanmar and the global community may access those musical traditions. The media digitized for this project, 78rpm records, date from those first produced by local Burmese recording companies in the early 1920s to the end of the 1950s. Covering the stylistic and tuning changes that shift from historic traditions to "international" standards by the 1960s, these recordings are significant as our only existing aural documentation of pre-industrial music in Burma.- Creator
- Ka.ra.wik Tam Hcip
- Alangka Kyau Ca Re Man: Tang Maung
Showing 1-50 of 1572 records.
Categories
- Audio Visual Collections
- Music of Burma On Locally Produced 78rpm Records717
- Banjo Construction Photograph Archive576
- Highland Summer Conference Video Collection199
- Banjo Masters20
- Women's March on Washington18
- Women's Interart Center17
- Radford Veterans Oral History Video Project12
- Conversations With Alumni Collection4
- March For Our Lives Movement3
- WVRU- Radford College/University Radio Station 89.9FM3
- Appalachian Performance2
- Radford College/University Press Conferences1
Type
Subject
- Burmese (Musical group)717
- Ethnomusicology--Asia.717
- Music--Asia--Discography.717
- Myanmar717
- Southeast Asia717
- Banjo Construction Photographic Collection576
- Musical instruments576
- Appalachian Region. Southern199
- Interviews199
- American literature Appalachian Region. Southern198
More
Creator
- Bennett, Bud, 1963-209
- Lanier, Parks159
- Alangka Kyau Ca Re Man: Tang Maung117
- Ka.ra.wik Tam Hcip96
- Edwards, Grace Toney83
- Tui: Na. Ya:78
- Tuil Nuing Kumpa.ni78
- Hangsa Ta. Hcan Raung: Wai Re: A Hpwai. Li Mi. Tak58
- Cin Tam Hcip Dhat Pra:48
- Cu Pa Huik Kumpa.ni Limi.tak48
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Date
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Coverage - Temporal
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